A poetic moment of accusation and affront is proposed by Wellington Gadelha in this black, ghetto, urban and transversal scenic action. The artist from Ceará starts with the research of a Russian roulette body to reflect urgent issues ranging from the daily slaughters in Fortaleza, in Ceará, to the structural massacre of the black population in the country. Crossed by the visual arts, the work creates and recreates the forms and senses of the objects with which the performer relates onstage. Among arrays of movements and improvisation, finding in the funk 150 bpm sound its thermometer, the solo brings the emergency as a dramaturgical device and builds a corporeality capable of breaching the preestablished borders for blacks in dance, rethinking territories, violence and subjective circuits of ethnic-racial and spatial segregation in urban context. At a crossroads where life and art collide, the performance is a triggering exercise and an invitation to reflection.

Trigger warning: contains loud music and claustrophobic images.