Cuckoo
Jaha Koo / CAMPO
55 min | Parental rating 16+
*Marca de panelas de arroz popular na Coreia do Sul
ENCONTRO COM JAHA KOO
No sábado (2), após a apresentação, o Centro Cultural Coreano no Brasil oferece um encontro entre Jaha Koo, o público presente para o espetáculo e convidados da comunidade coreana, em homenagem ao artista em foco da 9ª edição da MITsp.
SYNOPSIS
One day, when his electric rice cooker, a popular Cuckoo, informed him that his meal was ready, Jaha Koo experienced the golibmuwon, an untranslatable Korean word expressing the feeling of isolation that characterises the lives of many young people in his country – the result, mainly, of an economic crisis that devastated South Korea about 20 years ago. Onstage, with three of these cookers, the interpreter presents a lecture-performance that dives into the history of his country. Combining documentary images, music and humorous dialogues, the artist investigates endemic issues impacting his generation – such as rising suicide rates and social withdrawal – and builds a narrative from his personal experience and reflections on political events, happiness and death.
The Hamartia Trilogy
Cuckoo is the second part of Jaha Koo’s Hamartia Trilogy, together with the shows Lolling and Rolling and The History of Korean Western Theatre. The imperialism of the past and present, and its sometimes-unexpected personal impact are the common threads of these three works of documentary theatre presented at MITsp. In Greek, hamartia means “tragic flaw or shortcoming”, a concept that interweaves each of the works differently, which themes involve the clash between Eastern and Western cultures.
Trigger warning: contains suicide images and strobe light.
HISTORY
Jaha Koo is a South Korean theatre creator and composer. His work, closely linked to politics, history and his own personal issues, moves between multimedia and performance, bringing music, videos, texts and authorial installations. He currently presents his shows around the world. In 2024, he is working on a new creation, Haribo Kimchi, and on his musical project, GuJAHA. The artist took his first steps at the Brussels Arts Workshop Pianofabriek and the Bâtard Festival. Since 2017, he has been creating his work supported by CAMPO, a research, development and artistic production platform based in Belgium.
CRITIC
In considering how macroeconomics and large-scale government agreements and policy have crushed the lives on individual innocents, Cuckoo is a heavy, affecting piece of documentary theatre that masterfully wields its multimedia for both dark humour and piercing effect.
Cuckoo serves as a documentary narrative that everyone should witness. Its originality shines through, challenging preconceptions by highlighting the power of three rice cookers as unlikely raconteurs.
TECHNICAL SHEET
Concept, direction, text, music and video: Jaha Koo
Performance:Hana, Duri, Seri and Jaha Koo
Cuckoo hacking: Idella Craddock
Scenography and digital support: Eunkyung Jeong
Dramaturgical advice: Dries Douibi
Technique: Korneel Coessens, Jan Berkmans and Bart Huybrechts (and Wim Clapdorp)
Production: Kunstenwerkplaats Pianofabriek
Executive producer: CAMPO
Co-production: Bâtard Festival
Support: CAMPO, STUK, BUDA, DAS, SFAC and Noorderzon/Grand Theatre
With the support of: the Flemish Community
THIS SHOW IS SUPPORTED BY THE KOREAN CULTURAL CENTER IN BRAZIL.