Jota Mombaça is an unruly artist and writer whose work derives from poetry, critical theory, and performance. Her practice is related to anti-colonial critique and gender disobedience. Through performance, visionary fiction and situational strategies of knowledge production, she aims to rehearse the end of the world as we know it and the outline of what comes after we evict the colonial-modern subject from its podium. She has presented works in various institutional contexts, such as the São Paulo, Berlin and Sydney biennials.

Erica Malunguinho was born in Pernambuco in a family of activists of popular movements. At the age of 17, she began her research in performing arts, addressing construction issues of transvestigender identities. Upon arrival in São Paulo, at the age of 20, she continued her research, entering the Education universe and starting to include race relations.