INTERNATIONAL SHOW
Surveilled and Punished
Surveillée et Punie
ARTIST: Safia Nolin e Philippe Cyr | Théâtre Prospero
80 min | Ages 16+
- March 13, 14, and 15, Friday at 9 PM, and Saturday and Sunday at 8 PM
- Teatro do SESI-SP - Centro Cultural Fiesp | Av. Paulista, 1313, Bela Vista
- Accessible Location
- The session on March 15 features interpretation in Brazilian Sign Language (Libras) and audio description
- The show is based on hateful and violent language, including misogyny, fatphobia, racism, homophobia, incitement to suicide, references to death, and harassment.
SYNOPSIS
Sublimating hate: this is the goal of singer-songwriter Safia Nolin and director Philippe Cyr. Together, the Canadian artists transform thousands of real insults directed at Nolin into raw material for this musical work. Questioning what we mean by freedom of expression when it erupts into violence, the performer places herself at the center of the stage, confronting a chorus that hurls violent abuse at her. Sisterhood and solidarity are essential to this dramatic celebration, which also serves as a call to collective action. In response to the punishment imposed by public discourse, Nolin arms herself with her guitar and ultimately reclaims the space from which she was expelled.
BACKGROUND
Safia Nolin is a Canadian singer-songwriter who understands herself as a political being in her own right, through the battles she fights, the themes she addresses, and her appearance. Seen as “deformed” due to her condition as a racialized woman and openly lesbian artist who does not conform to so-called feminine standards imposed for centuries, she chooses to embrace this dissonant image rather than react against what she is not. She has released albums such as Limoilou, Reprises vol. 1, Reprises vol. 2, Dans le noir, and SEUM, as well as EPs and singles, including the duet Mélancolie with Patrick Watson and her recent English-language ballad Carrie.
Philippe Cyr is a Canadian theater director. Over the past few years, Philippe Cyr has created nearly 25 shows. Drawing on a variety of materials, he charts a course punctuated by formal questioning and takes an incisive look at the gray areas of existence. His work has been exceptionally well received by audiences and critics alike, earning him and his collaborators numerous nominations. The works in which he participates are presented on tour in Quebec, Canada, South America, and Europe. Among the most notable are Le iShow (2013), J’aime Hydro (2016), Le poids des fourmis (2019), Corps titan (titre de survie) (2021), Insoutenables longues étreintes (2023), and Ces regards amoureux de garçons altérés (2025). In August 2021, he became artistic director and co-executive director of Théâtre Prospero. Under his leadership, in collaboration with co-executive director Vincent de Repentigny, Prospero is further exploring issues related to boundaries and transgressive approaches. This translates into vibrant, moving, and deeply humanistic creations.
CRITICAL RECEPTION
“A poignant performance, of great beauty despite the ugliness of the words. A punch to the solar plexus that shook me like rarely before.”
Stéphanie Morin, La Presse
“It is a spectacular illustration of the poison that hatred, harassment, and online violence represent.”
Katerine Verebely, ICI Radio-Canada Première
CREDITS
Libretto: Safia Nolin, Jean-Philippe Baril Guérard
Music: Safia Nolin, Vincent Legault
Creator and Director: Philippe Cyr
Dramaturgical Advisor: Anne-Marie Voisard
With: Safia Nolin, Katia Lévesque
Local Choir Director: Tiago Pinheiro
Choir: Mathieu Abel, Cristine Cimon Fortier, David Cronkite, Ryan Doyle Valdés, Étienne Guertin, Claudine Ledoux, Kimberly Lynch, Florence Tremblay and a local choir
Set Designer: Odile Gamache
Lighting Designer: Cédric Delorme-Bouchard
Assistant Director: Andrée-Anne Garneau
Stage Manager: Félix-Antoine Gauthier
Video: Zachary Noël-Ferland
Lighting: Joëlle LeBlanc
Sound: Jules Potier
Research: Ariane Thibault-Vanasse
Production Manager: Catherine Comeau
Technical Manager: Ariane Roy
A creation by Prospero, in coproduction with l’Homme allumette, Théâtre français du Centre national des Arts (Ottawa), Les Plateaux Sauvages (Paris) in collaboration with Théâtre du Trident (Québec). Developped with support from The National Arts Centre’s National Creation Fund
Surveillée et punie was created as part of the Festival TransAmériques (FTA) in 2024.