{"id":7306,"date":"2025-02-12T12:59:33","date_gmt":"2025-02-12T15:59:33","guid":{"rendered":"https:\/\/mitsp.org\/2025\/about-2\/"},"modified":"2025-03-20T20:21:32","modified_gmt":"2025-03-20T23:21:32","slug":"introduction-2025","status":"publish","type":"post","link":"https:\/\/mitsp.org\/en\/2025\/introduction-2025\/","title":{"rendered":"Introduction 2025"},"content":{"rendered":"\t\t
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About<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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MITsp \u2013 International Theater Festival reaches its 10th edition<\/strong>. For a decade, despite adverse circumstances, the festival has remained true to its experimental and critical vocation, engaging with the historical moment and its reverberations in contemporary performing arts.<\/p>\n

In the Performance Showcase<\/strong>, the featured artist is nora chipaumire from Zimbabwe. The program also includes performances from Argentina, France, and Mozambique, as well as national works by Alejandro Ahmed and Antonio N\u00f3brega, the latter being honored for his career.<\/p>\n

MITbr \u2013 Plataforma Brasil<\/strong>, an ongoing program for the internationalization of Brazilian performing arts, brings together a diversity of themes and languages from the contemporary scene and highlights Rio de Janeiro-based artist Wallace Ferreira\/Patfudyda.<\/p>\n

The program also includes Olhares Cr\u00edticos (Critical Perspectives)<\/strong>, which invites audiences to reflect on performing arts and contemporary Brazil through a series of thought-provoking activities, and A\u00e7\u00f5es Pedag\u00f3gicas (Pedagogical Actions)<\/strong>, which explores new ways of producing and transmitting knowledge.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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HISTORICAL FIGURES<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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For its 10th edition, MITsp pays tribute to ten emblematic figures in Brazilian theater history<\/strong> through its visual identity, created by visual artist Bueno Caos. Known for the Pel\u00e9 Beijoqueiro<\/strong><\/em> wheatpaste series\u2014where he reinterprets the famous photo of Pel\u00e9 kissing boxer Muhammad Ali\u2019s face\u2014Caos has developed a special version for the festival, celebrating ten individuals who dedicated their lives to the theatrical arts.<\/p>\n

Honorees include: Artist and thinker Abdias do Nascimento<\/strong>, actor Cacilda Becker<\/strong>, actor and singer Denise Assun\u00e7\u00e3o<\/strong>, actor Grande Otelo<\/strong>, director Jos\u00e9 Celso<\/strong> Martinez Corr\u00eaa<\/strong>, actor Phedra de C\u00f3rdoba, writer Pl\u00ednio Marcos<\/strong>, actor Ruth de Souza, actor and cultural producer Ruth Escobar<\/strong>, and stagehand and set technician An\u00edbal Marques<\/strong>, known as Pel\u00e9.<\/p>\n

CREDITS:<\/strong><\/p>\n

Guest artist:<\/strong> Bueno Caos
\nWork:<\/strong> Pel\u00e9 Beijoqueiro, special series for MITsp
\nConcept:<\/strong> Rachel Brumana
\nOriginal photos:<\/strong> Jennifer Glass (photo by Jos\u00e9 Celso Martinez Corr\u00eaa); Vantoen Pereira J\u00fanior (photo by Abdias do Nascimento); Andr\u00e9 Stefano (photo by Phedra de C\u00f3rdoba); Mauricio Coronado (photo by Anibal Marques)<\/p>\n

ACKNOWLEDGEMENTS:<\/strong><\/p>\n

Marcelo Drummond, Elisa Larkin Nascimento, Anelis Assun\u00e7\u00e3o and Nelson<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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ABOUT THE HONOREES<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Abdias do Nascimento <\/b>(1914-2011)<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Actor, director, and playwright, Nascimento was a militant advocate against racial discrimination and for the valorization of Black culture. In 1944, he founded the Teatro Experimental do Negro (Black Experimental Theater), leading it until 1968, when he was forced into exile for 13 years by the military dictatorship. Upon returning to Brazil, he pursued a political career, serving as a congressman and senator for the Democratic Labor Party (PDT), always championing a space for Black culture in society.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Cacilda Becker<\/strong> (1921-1969)<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Considered one of Brazil\u2019s greatest actor, Becker starred in several productions at the Teatro Brasileiro de Com\u00e9dia (TBC) and co-founded the company that bears her name alongside Cleyde Y\u00e1conis, Walmor Chagas, Ziembinski, and Fredi Kleemann. She played iconic roles, moving between farce and tragedy, from classical to modern theater, and extended her presence to political activism, fighting censorship against the Brazilian artistic community.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Denise Assun\u00e7\u00e3o <\/strong>(1956-2024)<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Singer, actor, and composer, Assun\u00e7\u00e3o left a lasting mark on Brazilian culture. In the 1980s, she performed with Isca de Pol\u00edcia, a band led by her brother Itamar Assun\u00e7\u00e3o. In 1990, she released her only album, A Maior Bandeira Brasileira<\/em>. Beyond music, she also pursued acting, appearing in films like Jeca e seu Filho Preto<\/em> and A Banda das Velhas Virgens<\/em>, both starring Am\u00e1cio Mazzaropi. On stage, she performed in Mist\u00e9rios Goz\u00f3zos, directed by Jos\u00e9 Celso Martinez Corr\u00eaa.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Grande Otelo<\/strong> (1915-1993)<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Sebasti\u00e3o Bernardes de Souza Prata, known as Grande Otelo, was a composer, singer, actor, comedian, and poet. One of the most significant actors in Brazilian history, he built a career in revue theater, radio, film, and television. He starred in numerous successful Brazilian films, including the popular chanchadas of the 1940s and 1950s, often alongside Oscarito, and the 1969 film adaptation of Macuna\u00edma<\/em>.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Jos\u00e9 Celso Martinez Corr\u00eaa<\/strong> (1937-2023)<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Director, playwright, and actor, Jos\u00e9 Celso was one of Brazil\u2019s most influential theater directors and intellectuals. A founder of Teatro Oficina Uzyna Uzona, he was a staunch opponent of the military dictatorship and drew inspiration from countercultural movements. He became renowned for productions such as O Rei da Vela<\/em> by Oswald de Andrade and Roda Viva<\/em> by Chico Buarque. Leading Oficina until his passing, he maintained a restless and irreverent artistic spirit.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Phedra de C\u00f3rdoba<\/strong> (1938-2016)<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Born in Cuba, C\u00f3rdoba moved to Brazil in the 1950s after meeting revue theater impresario Walter Pinto. She worked with notable figures like Consuelo Leandro, Hebe Camargo, Nelson Gon\u00e7alves, Costinha, and Ewerton de Castro. She gained prominence in the Les Girls<\/em> travesti show and, in 2003, joined Os Satyros, performing in productions such as A Filosofia na Alcova<\/em>, A Vida na Pra\u00e7a<\/em> Roosevelt<\/em>, and Transex<\/em>.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Pl\u00ednio Marcos<\/strong> (1935-1999)<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Playwright, writer, and actor, Marcos became known for his raw and socially critical plays. His theater career began in the 1950s, rising to prominence with Barrela (1958), which was censored at the time. Labeled a “cursed” playwright, he faced heavy repression for works like Navalha na Carne<\/em> (1967) and Abajur Lil\u00e1s<\/em> (1969), which depicted violence and marginalization. Persecuted by the dictatorship, he remained independent and became one of Brazil\u2019s greatest playwrights.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Ruth de Souza<\/strong> (1921-2019)<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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A pioneer in Brazilian theater, television, and film, Souza was the first Black woman to perform at the Theatro Municipal do Rio de Janeiro. She joined the Teatro Experimental do Negro in the 1940s and became the first Brazilian actor nominated for an international award. She starred in films like Sinh\u00e1 Mo\u00e7a<\/em> (1953) and telenovelas such as O Clone and Senhora do Destino<\/em>. Her 70-year career paved the way for generations of Black artists in Brazil.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Ruth Escobar<\/strong> (1936-2017)<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Born in Portugal and later naturalized Brazilian, Escobar was an actor and producer who revolutionized Brazilian theater. She founded the Teatro Ruth Escobar in S\u00e3o Paulo, produced groundbreaking performances, and brought international directors and playwrights to Brazil. A pioneer in organizing international theater festivals, she fought for cultural democratization and left a legacy of artistic resistance and innovation.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Anibal Marques<\/b><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Better known as Pel\u00e9, Marques is a stagehand and set technician who has worked at the Theatro Municipal de S\u00e3o Paulo for over 45 years. Starting at age 18 under the guidance of his father, Geraldo Marques (known as Batucada), he has contributed to theater, film, concerts, and events both in Brazil and abroad. He also teaches scenography techniques at institutions such as SP Escola de Teatro and Instituto de Teatro Brasileiro (ITB) and mentors technical apprentices at the Chico Giacchieri Technical Production Center.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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CREDITS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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CONCEPTION AND ARTISTIC DIRECTOR<\/strong> Antonio Araujo<\/p>\n

CONCEPTION AND GENERAL PRODUCTION DIRECTOR<\/strong> Guilherme Marques<\/p>\n

INSTITUTIONAL DIRECTOR<\/strong> Rafael Steinhauser<\/p>\n

MITbr \u2013 PLATAFORMA BRASIL CURATORS<\/strong> Ave Terrena, Kenia Dias, and Jay Pather<\/p>\n

CRITICAL REGARDS CURATOR<\/strong> Helena Vieira<\/p>\n

PEDAGOGICAL ACTIVITIES CURATOR<\/strong> Alexandra G. Dumas<\/p>\n

GENERAL PRODUCTION COORDINATOR<\/strong> Rachel Brumana<\/p>\n

INSTITUTIONAL RELATIONS COORDINATOR<\/strong> Andreia Duarte<\/p>\n

INTERNATIONAL RELATIONS COORDINATOR<\/strong> Fernando Ruiz Braun<\/p>\n

PUBLIC RELATIONS AND MIT+ PLATFORM COORDINATOR<\/strong> Nat\u00e1lia Machiavelli<\/p>\n

ADMINISTRATIVE AND FINANCIAL COORDINATOR<\/strong> Hiago Marques<\/p>\n

TECHNICAL COORDINATOR<\/strong> Grazi Vieira<\/p>\n

LOGISTICS COORDINATOR<\/strong> Dora Le\u00e3o<\/p>\n

MITbr \u2013 PLATAFORMA BRASIL COORDINATOR<\/strong> Paulo Gir\u010dys<\/p>\n

CRITICAL REGARDS AND PEDAGOGICAL ACTIONS AXES COORDINATOR<\/strong> Iramaia Gongora<\/p>\n

COMMUNICATION COORDINATION<\/strong> Maur\u00edcio Coronado<\/p>\n

EDITORIAL CONTENT COORDINATOR<\/strong> Mariana Marinho<\/p>\n

PRESS OFFICE COORDINATOR<\/strong> M\u00e1rcia Marques | Canal Aberto<\/p>\n

CARTOGRAFIAS EDITING & TRANSLATION<\/strong> Ferdinando Martins<\/p>\n

PROJECT SUPERVISION<\/strong> Isadora Petrin<\/p>\n

EXECUTIVE PRODUCTION<\/strong> Giovanna Monteiro<\/p>\n

LEGAL ADVISORY<\/strong> Jos\u00e9 Augusto Vieira de Aquino<\/p>\n

ACCOUNTING AND TAX ADVISORY<\/strong> Carvalho Ramos Consultoria Cont\u00e1bil Tribut\u00e1ria S\/S<\/p>\n

CURATORIAL ASSISTANCE OF ARTISTIC DIRECTION<\/strong> Jenia Kolesnikova and Fernando Ruiz Braun<\/p>\n

ADMINISTRATIVE AND FINANCIAL COORDINATION ASSISTANT<\/strong> Nath\u00e1lia Monteiro<\/p>\n

INSTITUTIONAL RELATIONS ASSISTANT<\/strong> Dani Correia<\/p>\n

INTERNATIONAL RELATIONS ASSISTANT<\/strong> Lua Neg\u00e3o<\/p>\n

PUBLIC RELATIONS ASSISTANT<\/strong> Bruna Aly<\/p>\n

TECHNICAL COORDINATION ASSISTANT<\/strong> Giovanna Gon\u00e7alves<\/p>\n

LOGISTICS COORDINATION ASSISTANTS<\/strong> Fernanda Teixeira Gama, Ricardo Henrique and Samuel Kobayashi<\/p>\n

MITbr \u2013 PLATAFORMA BRASIL PRODUCTION COORDINATION ASSISTANT<\/strong> Joy Catharina<\/p>\n

CRITICAL REGARDS AND EDUCATIONAL ACTIONS AXES PRODUCTION COORDINATION ASSISTANT<\/strong> Igor Nascimento<\/p>\n

COMMUNICATION COORDINATION ASSISTANT<\/strong> Giovana Carneiro<\/p>\n

PRESS OFFICE ASSISTANTS<\/strong> Daniele Val\u00e9rio and Fl\u00e1via Fontes de Oliveira<\/p>\n

LEGAL ADVISORY ASSISTANT<\/strong> Nathalia Migliatti<\/p>\n

PUBLIC RELATIONS CONSULTING<\/strong> Carminha Gongora<\/p>\n

SCENOGRAPHY CONSULTING AND IMPLEMENTATION<\/strong> Carol Bu\u010dek<\/p>\n

TECHNICAL CONSULTING<\/strong> Andr\u00e9 Boll, Guilherme Ramos, and Rodrigo Gava<\/p>\n

INTERNATIONALIZATION CONSULTING FOR BRAZIL PLATFORM GROUPS \u2013 MITbr<\/strong> Iva Horvat<\/p>\n

EXECUTIVE PRODUCTION TEAM<\/strong> Thata Lopes, Carmen Mawu Lima, and Rafaela Correia<\/p>\n

INTERNATIONAL PERFORMANCES LOCAL PRODUCERS<\/strong> Aura Cunha, Veni Moraes Barbosa, Julia Gomes, and Julio Cesarini<\/p>\n

MITbr\u2013PLATAFORMA BRASIL PERFORMANCES LOCAL PRODUCERS<\/strong> L\u00edgia Helena de Almeida, Luiza Alves, and Paula Malfatti<\/p>\n

CRITICAL REGARDS AND EDUCATIONAL ACTIONS AXES PRODUCERS<\/strong> Edan Mar Panesso Quintero and Benedito Mariano Canafistula<\/p>\n

CULTURAL SUPPORT PRODUCTION<\/strong> Flavia Primo<\/p>\n

LOCAL PRODUCTION ASSISTANT<\/strong> Vini Silveira<\/span><\/pre>\n
TECHNICAL TEAM<\/strong> Aledj Moreira (equipe de carregadores\/apoio), Audrey Hibbeln, Bruna Lessa, Calu Batista, Cau\u00ea Palumbo Atgauzem, Diego Fran\u00e7a, \u00c9der Eduardo Dias Santos, Eduardo Albergaria, Emilie Becker, Enrique Casas, Felipe Ven\u00e2ncio, Fernanda Guedella, Jeferson Gomes, <\/span>J\u00falia F\u00e1vero, Joana Pegorari, Jos\u00e9 Dahora, Kuka Batista, Mark II (equipe de montagem som), Mirella Brandi, Pero Manz\u00e9, Ra\u00edssa Milanelli, Raquel Balekian, Ronaldo Zero, Santa Luz (equipe de montagem luz), Tet\u00ea Rocha, Vic Von Poser, Vivi Barbosa e Wanderley Wagner<\/p>\n
WARDROBE<\/strong> Arieli Marcondes & team<\/p>\n
CATERING<\/strong> Maria Foi Pra Cozinha<\/p>\n
GENERAL SERVICES<\/strong> Jair Nascimento<\/p>\n
 <\/p>\n
VISUAL IDENTITY<\/strong><\/p>\n
GUEST ARTIST<\/strong> Bueno Caos<\/p>\n
WORK<\/strong> Pel\u00e9 Beijoqueiro, special series for MITsp<\/p>\n
CONCEPT<\/strong> Rachel Brumana<\/p>\n
GRAPHIC DESIGN & ART DIRECTION<\/strong> Casaplanta [Amanda Dafoe] + Lila Botter<\/p>\n
WEBSITE GRAPHIC DESIGN<\/strong> Marina Duca<\/p>\n
SOCIAL MEDIA<\/strong> Monica Gomes, Louise Gomes, and Redson Pereira<\/p>\n
SIMULTANEOUS TRANSLATION<\/strong> Cec\u00edlia Mattos<\/p>\n
TEXT & SUBTITLE TRANSLATION<\/strong> Tempo Filmes<\/p>\n
SUBTITLE REVIEW<\/strong> Lucas Neves and\u00a0Jack Faustinoni<\/span><\/p>\n
EDITORIAL CONTENT REVIEW<\/strong> Samantha Arana<\/p>\n
PHOTOGRAPHIC COVERAGE<\/strong> Guto Muniz and Silvia Machado<\/p>\n
VIDEO DOCUMENTATION & AUDIOVISUAL PRODUCTION ERA \u2013<\/strong> Emp\u00f3rio de Relacionamentos Art\u00edsticos<\/p>\n
LIBRAS<\/strong> M\u00e3o Preta Libras<\/p>\n
AUDIO & VOICE-OVER<\/strong> Carolina Correa<\/p>\n
MASTER OF CEREMONY<\/strong> Aivan e Carminha Gongora<\/p>\n
OPENING CEREMONY SCRIPT & DIRECTION<\/strong> Ave Terrena<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Acknowledgments<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Agnaldo Moreno<\/p>\n
Airton Jos\u00e9 Marangon<\/p>\n
Alessandro Azevedo<\/p>\n
Alexandre Padilha<\/p>\n
\u00c1lvaro Machado<\/p>\n
Anamaria Boschi<\/p>\n
Andre Stefano<\/p>\n
Andr\u00e9 Sturm<\/p>\n
Andrea Caruso Saturnino<\/p>\n
Andressa Par\u00e9<\/p>\n
Aninha Barros<\/p>\n
Anna Helena da Costa Polistchuk<\/p>\n
Arthur Hideki<\/p>\n
Aurea Vieira<\/p>\n
Benedita da Silva<\/p>\n
Benjamin Seroussi<\/p>\n
Bernardo Galegale<\/p>\n
Bob Oliviera<\/p>\n
Brigida Sousa<\/p>\n
Bruna Cavanella<\/p>\n
Bruno Saraiva Santana<\/p>\n
Cafira Zo\u00e9<\/p>\n
Camila Mota<\/p>\n
Carlos Giannazi<\/p>\n
Carlos Moreira Gomes<\/p>\n
Carol Lafemina<\/p>\n
Celso Curi<\/p>\n
Celso Giannazi<\/p>\n
Chris Ramirez<\/p>\n
Cristina Nascimento<\/p>\n
Daisaku Ikeda (in memorian)<\/p>\n
Dandara Almeida<\/p>\n
Danilo Santos de Miranda (in memorian)<\/p>\n
Debora Viana<\/p>\n
Eduardo Fragoaz<\/p>\n
Eduardo Saron<\/p>\n
Elaine Cristina Lopes de Oliveira<\/p>\n
Eliane da Rocha<\/p>\n
Eli\u00e9zer Giazzi<\/p>\n
Elisa Larkin Nascimento<\/p>\n
Elisa Volpatto<\/p>\n
Equipe da Biblioteca M\u00e1rio de Andrade<\/p>\n
Equipe do Centro Cultural S\u00e3o Paulo<\/p>\n
Equipe da Coordenadoria de Teatros e Centros Culturais da Secretaria Municipal de Cultura<\/p>\n
Equipe da Corpo Rastreado<\/p>\n
Equipe da FUNARTE<\/p>\n
Equipe da Ger\u00eancia de A\u00e7\u00e3o Cultural do Sesc SP<\/p>\n
Equipe da Secretaria Municipal de Cultura e Economia Criativa de S\u00e3o Paulo<\/p>\n
Equipe do Instituto Brasileiro de Teatro – IBT<\/p>\n
Equipe do Instituto de Pesquisas e Estudos Afro-Brasileiros<\/p>\n
Equipe do Goethe-Institut de S\u00e3o Paulo<\/p>\n
Equipe do Ita\u00fa Cultural<\/p>\n
Equipe do Museu Itamar Assump\u00e7\u00e3o<\/p>\n
Equipe do SATED SP<\/p>\n
Equipe do Sesc Pompeia<\/p>\n
Equipe do Sesc Vila Mariana<\/p>\n
Equipe do SESI-SP<\/p>\n
Equipe do Teatro Cacilda Becker<\/p>\n
Equipe do Teatro Oficina Uzyna Uzona<\/p>\n
Equipe do Theatro Municipal de S\u00e3o Paulo<\/p>\n
\u00c9rika Dutra Mour\u00e3o<\/p>\n
Esthon Medeiros Jr.<\/p>\n
Fam\u00edlia Assump\u00e7\u00e3o<\/p>\n
Felipe Hoenen<\/p>\n
Francis Wilker<\/p>\n
Gaelle Massicos Bitty<\/p>\n
Galiana Brasil<\/p>\n
Gui Miralha<\/p>\n
Guto Portugal<\/p>\n
Helena Bastos<\/p>\n
Heloisa Pisani<\/p>\n
Henilton Menezes<\/p>\n
Henrique Rochelle<\/p>\n
Ivam Cabral<\/p>\n
Jacinto Janu\u00e1rio Maguni<\/p>\n
Jader Rosa<\/p>\n
Jayme Antonio Paez Filho<\/p>\n
Jennifer Glass<\/p>\n
J\u00f4 Santana<\/p>\n
Juca Ferreira<\/p>\n
Julian Correia de Aquino<\/p>\n
J\u00falio C\u00e9sar D\u00f3ria<\/p>\n
Jupira Santos<\/p>\n
Jurandy Valen\u00e7a<\/p>\n
Kelly Adriano<\/p>\n
Kiko Barros<\/p>\n
Leo Lama<\/p>\n
Leonardo Lessa<\/p>\n
Lorinaldo Silva<\/p>\n
Luiz Deocl\u00e9cio Massaro Galina<\/p>\n
Marcelo Drummond<\/p>\n
M\u00e1rcio Tavares do Santos<\/p>\n
M\u00e1rcio Vidal Marinho<\/p>\n
Margareth Menezes<\/p>\n
Maria Beatriz Cardoso<\/p>\n
Maria L\u00facia Pupo<\/p>\n
Maria Marighella<\/p>\n
Mariana Guarnieri<\/p>\n
Mariza Prota<\/p>\n
Marllon Robert Caetano da Costa<\/p>\n
Martim Villares<\/p>\n
Matthias Makowski<\/p>\n
Michele Rolim<\/p>\n
Morizi Talles<\/p>\n
Nat\u00e1lia Risovas<\/p>\n
Nathalia Costa<\/p>\n
Nelson Aguilar<\/p>\n
N\u00facleo dos Festivais Internacionais de Artes C\u00eanicas do Brasil<\/p>\n
Odecir Luiz Prata da Costa<\/p>\n
Patrice Pauc<\/p>\n
Patricia Borges Roggero<\/p>\n
Paulo Fehlauer<\/p>\n
Pedro Le\u00e3o<\/p>\n
Ramirez Lopes<\/p>\n
Regina C\u00e9lia da Silveira Santana<\/p>\n
Renate Heilmeier<\/p>\n
Ricardo Muniz Fernandes<\/p>\n
Rita Teles<\/p>\n
Rodrigo Lorena<\/p>\n
Rosana Paulo da Cunha<\/p>\n
Rubens Carsoni<\/p>\n
Rui Moreira<\/p>\n
Sandra Lopes<\/p>\n
S\u00e9rgio D\u00e1vila<\/p>\n
Silas Mart\u00ed<\/p>\n
Sylvia Arag\u00e3o<\/p>\n
Tha\u00edna Gon\u00e7alves Silva<\/p>\n
Thiago Albanesi<\/p>\n
Thiago Toledo<\/p>\n
Ti\u00e3o Soares<\/p>\n
Tot\u00f3 Parente<\/p>\n
Vantoen Pereira J\u00fanior<\/p>\n
Wesley Kawaai<\/p>\n
William Zarella Jr.<\/p>\n
Special thanks for the 10-year journey of MITsp<\/strong><\/p>\n
Alba Roque<\/p>\n
Andr\u00e9 Cortez<\/p>\n
C\u00e1ssia Andrade<\/p>\n
Cecilia Kuska<\/p>\n
C\u00e9lio Faria<\/p>\n
Daniele Avila Small<\/p>\n
Dodi Leal<\/p>\n
Erica Teodoro<\/p>\n
Eust\u00e1quio Guglielmelli<\/p>\n
Fause Haten<\/p>\n
Felipe Assis<\/p>\n
Fernando Mencarelli<\/p>\n
Gabi Gon\u00e7alves<\/p>\n
G\u00e9ssica Arjona<\/p>\n
Henrique Carsalade<\/p>\n
Hugo Casarini<\/p>\n
Iva Horvat<\/p>\n
Jenia Kolesnikova<\/p>\n
Jo\u00e3o Passos<\/p>\n
Jos\u00e9 Fernando Peixoto de Azevedo<\/p>\n
Julia Guimar\u00e3es<\/p>\n
Kil Abreu<\/p>\n
Leda Maria Martins<\/p>\n
Leo Devitto<\/p>\n
Luciana Romagnolli<\/p>\n
Malu Barsanelli<\/p>\n
Marcelo Evelin<\/p>\n
Maria Fernanda Vomero<\/p>\n
Marina Watanabe<\/p>\n
Marise Maues<\/p>\n
Natasha Corbelino<\/p>\n
Osvaldo Piva<\/p>\n
Patr\u00edcia Cividanes<\/p>\n
Patricia Perez<\/p>\n
Pollyanna Diniz<\/p>\n
Rodrigo Fidelis<\/p>\n
Ruy Cortez<\/p>\n
Silvia Fernandes<\/p>\n
Sonia Sobral<\/p>\n
Patrons<\/strong><\/p>\n
Laura Vinci<\/p>\n
Marcelo Ara\u00fajo<\/p>\n
Marisa Riccitelli<\/p>\n
Ricardo Ohtake<\/p>\n
Honored personalities featured in the visual identity<\/strong><\/p>\n
Abdias do Nascimento<\/p>\n
An\u00edbal Marques (Pel\u00e9)<\/p>\n
Cacilda Becker<\/p>\n
Denise Assun\u00e7\u00e3o<\/p>\n
Grande Otelo<\/p>\n
Jos\u00e9 Celso Martinez Corr\u00eaa<\/p>\n
Phedra de C\u00f3rdoba<\/p>\n
Pl\u00ednio Marcos<\/p>\n
Ruth de Souza<\/p>\n
Ruth Escobar<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"
About MITsp \u2013 International Theater Festival reaches its 10th edition. For a decade, despite adverse circumstances, the festival has remained true to its experimental and critical vocation, engaging with the historical moment and its reverberations in contemporary performing arts. In the Performance Showcase, the featured artist is nora chipaumire from Zimbabwe. The program also includes […]<\/p>\n","protected":false},"author":1,"featured_media":5939,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[104,105],"tags":[],"class_list":["post-7306","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2025-en","category-content-en2"],"yoast_head":"\nIntroduction 2025 - MITsp - Mostra Internacional de Teatro de S\u00e3o Paulo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mitsp.org\/en\/2025\/introduction-2025\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Introduction 2025\" \/>\n<meta property=\"og:description\" content=\"About MITsp \u2013 International Theater Festival reaches its 10th edition. For a decade, despite adverse circumstances, the festival has remained true to its experimental and critical vocation, engaging with the historical moment and its reverberations in contemporary performing arts. In the Performance Showcase, the featured artist is nora chipaumire from Zimbabwe. 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