{"id":7241,"date":"2025-02-12T12:59:01","date_gmt":"2025-02-12T15:59:01","guid":{"rendered":"https:\/\/mitsp.org\/2025\/scenic-cultures-and-so-called-popular-cultures-dialogues-exchanges-and-appropriations\/"},"modified":"2025-03-09T18:37:47","modified_gmt":"2025-03-09T21:37:47","slug":"scenic-cultures-and-so-called-popular-cultures-dialogues-exchanges-and-appropriations","status":"publish","type":"post","link":"https:\/\/mitsp.org\/en\/2025\/scenic-cultures-and-so-called-popular-cultures-dialogues-exchanges-and-appropriations\/","title":{"rendered":"Scenic Cultures and (So-Called) Popular Cultures: Dialogues, Exchanges, and Appropriations"},"content":{"rendered":"\t\t
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A\u00e7\u00f5es Pedag\u00f3gicas<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Think-Step-Wander: Popular Routes<\/b><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Scenic Cultures and (So-Called) Popular Cultures: Dialogues, Exchanges, and Appropriations<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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WITH<\/strong> Alexandra G. Dumas and Mestre Aguinaldo Silva<\/p>\n

MODERATED BY<\/strong> Rafael Galante<\/p>\n

In Brazil, theater holds a central place within the field of scenic cultures. It is no coincidence that Brazilian hegemonic historiography marks its emergence by associating it with the catechization process during colonization. However, beyond theater, there are many possibilities for scenic existence and creation, many of which have been conceived and birthed in resistance to colonial hegemony. So-called popular cultures with scenic and diasporic characteristics serve as a starting point for a relevant discussion on their resistance, as well as a critical expansion on their invisibilization, epistemicide, and dominant appropriations\u2014even by theater itself. How have the performing arts and the arts, in general, been engaging with so-called popular cultures? What kinds of interactive and respectful possibilities have been emerging in this field? These questions will set this discussion in motion.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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WHEN AND WHERE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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March 20, Thursday | 2:00 PM \u2013 3:30 PM<\/em><\/strong><\/p>\n

Centro de Refer\u00eancia da Dan\u00e7a<\/em><\/p>\n

Free Admission<\/em><\/p>\n

Tickets:<\/strong>\u00a0Online reservations starting on 02\/25, Tuesday, at 5 PM, through the INTI platform. Remaining tickets will be distributed 1 hour before the performance at the theater box office.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tRESERVE YOUR TICKET<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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ABOUT<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Alexandra G. Dumas<\/strong> is a professor at the School of Theater at the Federal University of Bahia (UFBA) and at the UFBA Graduate Program in Performing Arts. She works as a professor and researcher in the fields of Afro-Brazilian popular cultures and Black-referenced scenic pedagogies and poetics. She is a maruja (member) of the Marujada de S\u00e3o Benedito in Prado, Bahia.<\/p>\n

Mestre Aguinaldo Silva<\/strong> is a popular artist who comes from a background in sugarcane cutting. A dancer, musician, and performer of Cavalo Marinho and Maracatu Rural since the age of twelve, he is a figureiro (mask maker) in Cavalo Marinho Estrela de Ouro and puxador de cord\u00e3o (lead singer) of Maracatu de Baque Solto Le\u00e3o de Ouro, both based in Condado (PE). He began performing at age 12 in Cavalo Marinho Estrela do Oriente under Mestre In\u00e1cio Lucindo, playing the role of Dama. At 15, he joined Maracatu Le\u00e3o da Floresta, then spent 19 years with Maracatu da Piaba, and has been performing for nearly 20 years with Maracatu Le\u00e3o de Ouro under Mestre Biu Alexandre, his father, who also led Cavalo Marinho Estrela de Ouro de Condado. Aguinaldo is now the master of Cavalo Marinho and a figureiro. He has participated in several performances, including Consagra\u00e7\u00e3o (2005) and Ilha Brasil (2006), and collaborated with groups such as Boi Marinho (Recife), N\u00facleo Manjarra (S\u00e3o Paulo), and PELEJA (Olinda).<\/p>\n

Rafael Galante<\/strong> is a historian and ethnomusicologist. He has conducted research on the history of the African musical diaspora in collaboration with traditional communities in Brazil, Cuba, and Mozambique.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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A\u00e7\u00f5es Pedag\u00f3gicas Think-Step-Wander: Popular Routes Scenic Cultures and (So-Called) Popular Cultures: Dialogues, Exchanges, and Appropriations WITH Alexandra G. Dumas and Mestre Aguinaldo Silva MODERATED BY Rafael Galante In Brazil, theater holds a central place within the field of scenic cultures. It is no coincidence that Brazilian hegemonic historiography marks its emergence by associating it with […]<\/p>\n","protected":false},"author":1,"featured_media":6593,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[104,106,107,122],"tags":[],"class_list":["post-7241","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2025-en","category-eixos-en-mitsp-en2","category-pedagogical-actions-en2","category-think-step-wander"],"yoast_head":"\nScenic Cultures and (So-Called) Popular Cultures: Dialogues, Exchanges, and Appropriations - MITsp - Mostra Internacional de Teatro de S\u00e3o Paulo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mitsp.org\/2025\/culturas-cenicas-e-culturas-ditas-populares-dialogos-trocas-e-apropriacoes\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Scenic Cultures and (So-Called) Popular Cultures: Dialogues, Exchanges, and Appropriations\" \/>\n<meta property=\"og:description\" content=\"A\u00e7\u00f5es Pedag\u00f3gicas Think-Step-Wander: Popular Routes Scenic Cultures and (So-Called) Popular Cultures: Dialogues, Exchanges, and Appropriations WITH Alexandra G. 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