{"id":7233,"date":"2025-02-12T12:59:22","date_gmt":"2025-02-12T15:59:22","guid":{"rendered":"https:\/\/mitsp.org\/2025\/round-table-poetics-of-rupture-in-contemporary-theater\/"},"modified":"2025-03-09T18:35:28","modified_gmt":"2025-03-09T21:35:28","slug":"round-table-poetics-of-rupture-in-contemporary-theater","status":"publish","type":"post","link":"https:\/\/mitsp.org\/en\/2025\/round-table-poetics-of-rupture-in-contemporary-theater\/","title":{"rendered":"ROUND TABLE: Poetics of Rupture in Contemporary Theater"},"content":{"rendered":"\t\t
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OLHARES CR\u00cdTICOS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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AESTHETIC-POLITICAL REFLECTIONS<\/b><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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ROUND TABLE: Poetics of Rupture in Contemporary Theater<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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WITH<\/strong> Ave Terrena, Grace Pass\u00f4, Maria Carolina Casati, and Ver\u00f3nica Valenttino<\/p>\n

This discussion aims to establish dialogues on scenic practices that challenge aesthetic and political paradigms, proposing new forms of creation.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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WHEN AND WHERE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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March 17, Monday, from 3:00 PM to 4:30 PM<\/strong><\/em><\/p>\n

Goethe-Institut<\/strong><\/p>\n

Free admission<\/em><\/p>\n

Tickets:<\/strong>\u00a0Online reservations starting on 02\/25, Tuesday, at 5 PM, through the INTI platform. Remaining tickets will be distributed 1 hour before the performance at the theater box office.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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ABOUT<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ave Terrena<\/strong> is a playwright, theater director, poet, and curator. She has had eleven plays staged in Brazil, Mexico, and Portugal and has published three books, two of dramaturgy and one of poetry. She has an independent education in S\u00e3o Paulo\u2019s group theaters, where she has worked since adolescence. She teaches at the Escola Livre de Teatro de Santo Andr\u00e9 and is active in the ballroom community as a member of the Pioneer House of Hands Up-SP.<\/p>\n

Grace Pass\u00f4<\/strong> is an actress, director, and screenwriter who creates in both theater and cinema. Her texts have been translated into multiple languages, including English, Spanish, French, Polish, and Mandarin. As a playwright, she has received awards such as Shell SP and RJ, APCA SP, Cesgranrio, Leda Maria Martins Award, and Quest\u00e3o de Cr\u00edtica. In cinema, she has won Best Actress at the Rio Festival, Candango at the Bras\u00edlia Festival, and Best Actress at the Turin Festival (Italy).<\/p>\n

Ver\u00f3nica Valenttino<\/strong> is a Cear\u00e1-born actress and singer. She is the lead vocalist of the band Ver\u00f3nica Decide Morrer and has lived in S\u00e3o Paulo for six years. She has participated in major music festivals across Brazil, including Virada Cultural, Maloca Drag\u00e3o, Ru\u00eddo em Cena, Tomar Rock, Teia, Festival Marsha!, Festival Transversalidades Casa Chama, and For Rainbow. She holds a degree in Performing Arts from the Federal Institute of Education, Science, and Technology of Cear\u00e1 (IFCE). As an actress, she has won multiple awards, including the Shell Award (2023) for Best Actress, the Bibi Ferreira Award (2022) for Breakthrough Actress in Musicals, and the APCA Award (2022) for Best Musical with Brenda Lee e o Pal\u00e1cio das Princesas.<\/p>\n

Maria Carolina Casati<\/strong> is a Black woman, professor, writer, curator, and reading mediator. She is pursuing a Ph.D. at the School of Arts, Sciences, and Humanities of the University of S\u00e3o Paulo (EACH\/USP) in the Graduate Program in Social Change and Political Participation, where she researches oral history with Black Brazilian women in relationships with Italian men from a writing-living perspective. She is a member of the Oral History and Memory Research Group (GEPHOM\/USP) and the founder of @encruzilinhas, a reading and debate project on Blackness, gender, feminism, and activism. She is the mother of TumTum, daughter of Fig\u00eania and Brogio, granddaughter of Zelia, and friend to many, but above all, of G7.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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OLHARES CR\u00cdTICOS AESTHETIC-POLITICAL REFLECTIONS ROUND TABLE: Poetics of Rupture in Contemporary Theater WITH Ave Terrena, Grace Pass\u00f4, Maria Carolina Casati, and Ver\u00f3nica Valenttino This discussion aims to establish dialogues on scenic practices that challenge aesthetic and political paradigms, proposing new forms of creation. WHEN AND WHERE March 17, Monday, from 3:00 PM to 4:30 PM […]<\/p>\n","protected":false},"author":1,"featured_media":6445,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[104,114,119,106],"tags":[],"class_list":["post-7233","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2025-en","category-aesthetic-political-reflections-en25","category-critical-perspectives25","category-eixos-en-mitsp-en2"],"yoast_head":"\nROUND TABLE: Poetics of Rupture in Contemporary Theater - MITsp - Mostra Internacional de Teatro de S\u00e3o Paulo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mitsp.org\/2025\/roda-de-conversa-poeticas-da-ruptura-na-cena-contemporanea\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ROUND TABLE: Poetics of Rupture in Contemporary Theater\" \/>\n<meta property=\"og:description\" content=\"OLHARES CR\u00cdTICOS AESTHETIC-POLITICAL REFLECTIONS ROUND TABLE: Poetics of Rupture in Contemporary Theater WITH Ave Terrena, Grace Pass\u00f4, Maria Carolina Casati, and Ver\u00f3nica Valenttino This discussion aims to establish dialogues on scenic practices that challenge aesthetic and political paradigms, proposing new forms of creation. 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