{"id":7217,"date":"2025-02-13T18:31:00","date_gmt":"2025-02-13T21:31:00","guid":{"rendered":"https:\/\/mitsp.org\/2025\/the-place-of-the-stage-theater-and-its-possibilities-for-reinventing-space\/"},"modified":"2025-03-20T20:01:39","modified_gmt":"2025-03-20T23:01:39","slug":"the-place-of-the-stage-theater-and-its-possibilities-for-reinventing-space","status":"publish","type":"post","link":"https:\/\/mitsp.org\/en\/2025\/the-place-of-the-stage-theater-and-its-possibilities-for-reinventing-space\/","title":{"rendered":"The Place of the Stage \u2013 Theater and Its Possibilities for Reinventing Space"},"content":{"rendered":"\t\t
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OLHARES CR\u00cdTICOS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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THOUGHT-IN-PROCESS<\/b><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Place of the Stage \u2013 Theater and Its Possibilities for Reinventing Space<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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WITH<\/b> Guillermo Cacace and Luiz Fernando Marques LUBI<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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In Thought-in-Process, artists and guests from different fields meet after the performances to talk to the audience about the shows. Brazilian director Luiz Fernando Marques LUBI and Argentinian director Guillermo Cacace, director of the show Seagull<\/em>, talk after the performance about theatre’s ability to reinvent spaces.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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WHEN AND WHERE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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March 17, Monday, after the performance of Gaivota<\/strong><\/em><\/p>\n

Central T\u00e9cnica de Produ\u00e7\u00f5es Art\u00edsticas Chico Giacchieri<\/em><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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ABOUT<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Guillermo Cacace<\/strong> is an Argentine director, actor, and professor. He teaches at the National University of the Arts and is a member of the Metropolitan School of Dramatic Arts. He also manages the independent space Apacheta Sala\/Estudio, where he teaches, rehearses, and presents his projects. As a director, he has been recognized nationally and internationally, receiving awards such as Trinidad Guevara, Radio France International, Florencio S\u00e1nchez, Teatros del Mundo, ACE, and Mar\u00eda Guerrero. His most recent works include Seria una pena que se marchiten las plantas, Gaviota, Mi hijo s\u00f3lo camina un poco m\u00e1s lento, and Parias. He graduated from ENAD (now UNA) and holds a degree in psychopedagogy with a specialization in psychoanalysis, as well as a PhD in Arts from UNA.<\/p>\n

Luiz Fernando Marques LUBI<\/strong> was born in Santos and has been a member of Grupo XIX de Teatro since 2001 and Teatro Kunyn since 2009. He has directed and co-created nearly 40 theater productions, many of which have been staged in over 130 cities in Brazil and 48 abroad (in Africa, the Americas, and Europe). Throughout his career, he has received over 20 nominations and awards in major Brazilian theater prizes. Since 2008, he has been a mentor for the Directing Program at the Free School of Theater in Santo Andr\u00e9.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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OLHARES CR\u00cdTICOS THOUGHT-IN-PROCESS The Place of the Stage \u2013 Theater and Its Possibilities for Reinventing Space WITH Guillermo Cacace and Luiz Fernando Marques LUBI In Thought-in-Process, artists and guests from different fields meet after the performances to talk to the audience about the shows. Brazilian director Luiz Fernando Marques LUBI and Argentinian director Guillermo Cacace, […]<\/p>\n","protected":false},"author":1,"featured_media":6858,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[104,119,106,115],"tags":[],"class_list":["post-7217","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2025-en","category-critical-perspectives25","category-eixos-en-mitsp-en2","category-thought-in-process-en25"],"yoast_head":"\nThe Place of the Stage \u2013 Theater and Its Possibilities for Reinventing Space - MITsp - Mostra Internacional de Teatro de S\u00e3o Paulo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mitsp.org\/2025\/o-lugar-da-cena-o-teatro-e-suas-possibilidades-de-reinvencao-do-espaco\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Place of the Stage \u2013 Theater and Its Possibilities for Reinventing Space\" \/>\n<meta property=\"og:description\" content=\"OLHARES CR\u00cdTICOS THOUGHT-IN-PROCESS The Place of the Stage \u2013 Theater and Its Possibilities for Reinventing Space WITH Guillermo Cacace and Luiz Fernando Marques LUBI In Thought-in-Process, artists and guests from different fields meet after the performances to talk to the audience about the shows. 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