{"id":7200,"date":"2025-02-12T12:59:11","date_gmt":"2025-02-12T15:59:11","guid":{"rendered":"https:\/\/mitsp.org\/2025\/repertoire-3\/"},"modified":"2025-03-07T06:47:42","modified_gmt":"2025-03-07T09:47:42","slug":"repertoire-3","status":"publish","type":"post","link":"https:\/\/mitsp.org\/en\/2025\/repertoire-3\/","title":{"rendered":"Repertoire #3"},"content":{"rendered":"\t\t
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MITbr - PLATAFORMA BRASIL<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Repertoire #3<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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ORIGINAL TITLE:<\/strong> Repert\u00f3rio N.3<\/p>\n

ARTIST:<\/strong> Davi Pontes e Wallace Ferreira<\/em><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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45 min | Age Rating: 18+<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00a9 F\u00e9 Avilla<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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19 and 20\/3, Wednesday and Thursday, 9pm<\/p>\n

PLACE: Centro Cultural S\u00e3o Paulo<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Atividades Relacionadas<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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SYNOPSIS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The performance is the final part of a trilogy of choreographic practices initiated in 2018 by Rio-based artists Davi Pontes and Wallace Ferreira. Drawing from postcolonial studies on gender and race, the duo explores how to create a dance of self-defense, understood as a tactical elaboration to confront physical, imaginary, and epistemological violence. The aim is to choreograph unique forms of resistance for dissident bodies and provide them with ways to persist in the world. To achieve this, the work employs strategies such as mimesis and posing, creating a play of meanings that layers time and imagery.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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BACKGROUND<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Davi Pontes<\/strong> is an artist, choreographer, and researcher. He holds a bachelor’s and a master’s degree in arts from the Fluminense Federal University (UFF) and was awarded the ImPulsTanz \u2013 Young Choreographers\u2019 Award (2022) and the Artlink \u2013 100 Artists Worldwide recognition in 2022. He participated as one of the artists in the 35th Bienal de S\u00e3o Paulo \u2013 Choreographies of the Impossible and choreographed Varia\u00e7\u00e3o<\/em> for the S\u00e3o Paulo City Ballet. Currently, he is part of the roster of artists featured in the 38th Panorama of Brazilian Art at the Museum of Modern Art of S\u00e3o Paulo (MAM\/SP).<\/p>\n

Wallace Ferreira<\/strong>, also known as Patfudyda, is a choreographer, performer, and visual artist. Trained at the Escola Livre de Artes da Mar\u00e9 and EAV Parque Lage, she won the ImPulsTanz \u2013 Young Choreographers\u2019 Award (2022) and the FOCO ArtRio Award (2024). Alongside Davi Pontes, she develops the Repertoire trilogy, which approaches dance as a form of self-defense training. She is the director of the performances ATRAQUE<\/em> and Vogue Funk<\/em>, where she engages the body as a historical agent, repositioning naturalized codes within social spheres and devising ways to subvert languages. In ballroom culture, she is the Legendary Imperatriz of the House of Mamba Negra.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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CRITICAL RECEPTION<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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“If the Black body at rest is suspicious and, in motion, a threat, Pontes and Ferreira find in this choreographic practice possible strategies to reimagine imaginaries, proposing shifts in the symbolic meanings of Black presence in a world that has yet to ensure the existence and dignity of these lives.”<\/em> Maria Luiza Meneses, em texto publicado no cat\u00e1logo da 35\u00aa Bienal de S\u00e3o Paulo \u2013 Coreografias do Imposs\u00edvel<\/p>\n

“[The trilogy] is about creating a bodily repertoire, a kind of movement database that looks at the history of choreography\u2014developed alongside modernity\u2014and attempts to deconstruct it, creating a sort of anti-choreography (…) Davi and Wallace suggest thinking of race as a dimension rather than an identity, a dimension that is difficult to translate into words. Perhaps that is why it must be danced.”<\/em> Beta Germano, Vogue<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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CREDITS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Choreography & Performance:<\/strong> Davi Pontes & Wallace Ferreira<\/p>\n

Executive Production:<\/strong> Netto<\/p>\n

Production Coordination:<\/strong> Rafael Fernandes \u2013 Quaf\u00e1 Produ\u00e7\u00f5es<\/p>\n

International Distribution:<\/strong> Something Great<\/p>\n

Co-Production:<\/strong> 35th Bienal de S\u00e3o Paulo \u2013 Choreographies of the Impossible, Arsenic \u2013 Center for Contemporary Performing Arts<\/p>\n

Artistic Residencies:<\/strong> ImPulsTanz \u2013 Vienna International Dance Festival, Arsenic \u2013 Center for Contemporary Performing Arts (Lausanne), tanzhaus nrw, Kondenz Festival, and La Becque<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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WEBSITE AND SOCIAL MEDIA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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@davipontttes<\/a><\/p>\n

@patfudyda<\/a><\/p>\n

@quafaproducoes<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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MITbr – PLATAFORMA BRASIL Repertoire #3 ORIGINAL TITLE: Repert\u00f3rio N.3 ARTIST: Davi Pontes e Wallace Ferreira 45 min | Age Rating: 18+ \u00a9 Fe Avilla 19 and 20\/3, Wednesday and Thursday, 9pm PLACE: Centro Cultural S\u00e3o Paulo Tickets Atividades Relacionadas Olhares cr\u00edticos A\u00e7\u00f5es pedag\u00f3gicas Critics SYNOPSIS The performance is the final part of a trilogy […]<\/p>\n","protected":false},"author":1,"featured_media":6682,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[104,106,110,109,129],"tags":[],"class_list":["post-7200","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2025-en","category-eixos-en-mitsp-en2","category-featured-artist-mitbr-brazil-plataform-25","category-mitbr-brazil-plataform-25","category-performances25"],"yoast_head":"\nRepertoire #3 - MITsp - Mostra Internacional de Teatro de S\u00e3o Paulo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mitsp.org\/2025\/repertorio-n-3\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Repertoire #3\" \/>\n<meta property=\"og:description\" content=\"MITbr – PLATAFORMA BRASIL Repertoire #3 ORIGINAL TITLE: Repert\u00f3rio N.3 ARTIST: Davi Pontes e Wallace Ferreira 45 min | Age Rating: 18+ \u00a9 Fe Avilla 19 and 20\/3, Wednesday and Thursday, 9pm PLACE: Centro Cultural S\u00e3o Paulo Tickets Atividades Relacionadas Olhares cr\u00edticos A\u00e7\u00f5es pedag\u00f3gicas Critics SYNOPSIS The performance is the final part of a trilogy […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/mitsp.org\/2025\/repertorio-n-3\/\" \/>\n<meta property=\"og:site_name\" content=\"MITsp - 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