{"id":7175,"date":"2025-02-12T12:59:25","date_gmt":"2025-02-12T15:59:25","guid":{"rendered":"https:\/\/mitsp.org\/2025\/mestico-florilegio\/"},"modified":"2025-03-07T06:57:21","modified_gmt":"2025-03-07T09:57:21","slug":"mestico-florilegio","status":"publish","type":"post","link":"https:\/\/mitsp.org\/en\/2025\/mestico-florilegio\/","title":{"rendered":"Mesti\u00e7o Floril\u00e9gio"},"content":{"rendered":"\t\t
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MITbr - Brazil Plataform<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Mesti\u00e7o Floril\u00e9gio<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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ARTIST:<\/strong> Antonio N\u00f3brega e Rosane Almeida<\/em><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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70 min | Age Rating: All Ages<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00a9 Nome do Fotografo<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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17 and 18\/3, Monday and Tuesday, 9pm
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PLACE: Teatro B32<\/p>\n

The screening on 17\/3 includes Libras [Brazilian sign language] and audio description.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Related Activities<\/span><\/pre>\n<\/div>\n
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tA\u00e7\u00f5es pedag\u00f3gicas<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tCritics<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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SYNOPSIS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Romantic poets often used the words floril\u00e9gio and ramalhete to mean a collection or anthology of poems. The multidisciplinary performance by Antonio N\u00f3brega and Rosane Almeida brings together songs, instrumental pieces, theatrical scenes, cinematography, and choreographic pieces created and performed by the duo over 40 years of artistic history, deeply rooted in Brazilian culture, especially its popular traditions. The show reveals how, in Brazil, the archaic and the modern can merge through the principle of complementarity. The work aims to offer a perspective on Brazilian popular culture that goes beyond folklore and to propose ways for it to engage in dialogue with contemporary culture.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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BACKGROUND<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Antonio N\u00f3brega<\/strong> was born in Recife, Pernambuco, and began studying the violin at the age of eight. In 1971, writer and playwright Ariano Suassuna (1927\u20132014) invited him to join the instrumental music group Quinteto Armorial. From then on, N\u00f3brega delved into popular culture, creating theater, dance, and music performances inspired by this universe, including Brincante (1992), Segundas Hist\u00f3rias (1994), Figural (1990), Madeira que Cupim N\u00e3o R\u00f3i (1997), Naturalmente (2009), and Recital para Ariano (2015). He has received numerous awards, including the Shell Theatre Award, APCA, and Conrado Wessel. In 1992, he co-founded the Instituto Brincante in S\u00e3o Paulo with his wife, actress and dancer Rosane Almeida.<\/p>\n
Rosane Almeida<\/strong> was born in Curitiba, Paran\u00e1. Her artistic background is rooted in theater, Brazilian folk dances, and circus arts. In 1992, alongside her husband, artist Antonio N\u00f3brega, she founded Instituto Brincante in S\u00e3o Paulo, a center dedicated to courses, workshops, and performances inspired by Brazilian culture. Together with N\u00f3brega, Rosane created and performed as an actress and dancer in productions such as Brincante (1992), Segundas Hist\u00f3rias (1994), and Madeira que Cupim N\u00e3o R\u00f3i (1997). In 2004, she created the solo piece A Mais Bela Hist\u00f3ria de Adeodata, which was later published by Salamandra.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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CRITICAL RECEPTION<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u201cInstrumentalist, singer, composer, dancer, and writer, N\u00f3brega blends talents and celebrates diversity. However, this body-mind-heart that pulses and imagines fantastic spaces was not initially destined to become a brincante (a master of Brazilian popular performance arts). It was through his encounter with popular culture and its creators that he experienced a profound shift, recognizing the richness of Brazilian traditions, the advanced technologies embedded in the body, often hidden in the country\u2019s remote areas and urban outskirts.\u201d<\/em> M\u00e1rcio Bastos, Revista Continente<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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CREDITS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Concept, direction, and performance:<\/strong> Antonio N\u00f3brega and Rosane Almeida
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Theatrical and song lyrics:<\/strong> Antonio N\u00f3brega, Br\u00e1ulio Tavares, Rosane Almeida, and Wilson Freire
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Lighting design and operation (light and video):<\/strong> Marisa Bentivegna
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Visual projections:<\/strong> Filme Brincante (directed by Walter Carvalho)
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Visual editing:<\/strong> Grissel Pinguilim
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Sound design:<\/strong> Tuca Pradella
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Sound operation:<\/strong> Gustavo Vale
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Stagehand and roadie:<\/strong> Adilson Santos
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Field production and dressing rooms:<\/strong> Rita Mistroni
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Communications:<\/strong> Danielle Sim\u00f5es
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Graphic design:<\/strong> \u00c9rica de Carvalho
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Videos\/teasers:<\/strong> Alexandre Am\u00eandola
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Production direction:<\/strong> Thereza Freitas
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Administrative and financial management:<\/strong> Silas Redondo
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Production:<\/strong> Trul\u00e9u Produ\u00e7\u00f5es<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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WEBSITE AND SOCIAL MEDIA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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www.antonionobrega.com.br<\/span><\/a><\/p>\n
@brincantenobrega<\/span><\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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MITbr – Brazil Plataform Mesti\u00e7o Floril\u00e9gio ARTIST: Antonio N\u00f3brega e Rosane Almeida 70 min | Age Rating: All Ages \u00a9 Fabio Alcover 17 and 18\/3, Monday and Tuesday, 9pm PLACE: Teatro B32 The screening on 17\/3 includes Libras [Brazilian sign language] and audio description. Tickets Related Activities Olhares cr\u00edticos A\u00e7\u00f5es pedag\u00f3gicas Critics SYNOPSIS Romantic poets […]<\/p>\n","protected":false},"author":1,"featured_media":6325,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[104,106,126,109],"tags":[],"class_list":["post-7175","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2025-en","category-eixos-en-mitsp-en2","category-honored-artist","category-mitbr-brazil-plataform-25"],"yoast_head":"\nMesti\u00e7o Floril\u00e9gio - MITsp - Mostra Internacional de Teatro de S\u00e3o Paulo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mitsp.org\/2025\/mestico-florilegio\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mesti\u00e7o Floril\u00e9gio\" \/>\n<meta property=\"og:description\" content=\"MITbr – Brazil Plataform Mesti\u00e7o Floril\u00e9gio ARTIST: Antonio N\u00f3brega e Rosane Almeida 70 min | Age Rating: All Ages \u00a9 Fabio Alcover 17 and 18\/3, Monday and Tuesday, 9pm PLACE: Teatro B32 The screening on 17\/3 includes Libras [Brazilian sign language] and audio description. 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