{"id":4727,"date":"2024-02-14T23:17:18","date_gmt":"2024-02-15T02:17:18","guid":{"rendered":"https:\/\/mitsp.org\/2024\/critical-practice\/"},"modified":"2024-02-27T21:24:58","modified_gmt":"2024-02-28T00:24:58","slug":"critical-practice","status":"publish","type":"post","link":"https:\/\/mitsp.org\/en\/2024\/critical-practice\/","title":{"rendered":"Critical Practice"},"content":{"rendered":"\t\t
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Critical Practice<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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With <\/strong>Adriana Pavlova, Adriana Schneider, Alexandra Dumas, Anderson Feliciano, Carmen Luz, Julia Guimar\u00e3es, Lucelia Sergio and Valmir Santos<\/p>\n

Coordination<\/strong> J\u00falia Guimar\u00e3es<\/p>\n

Edition<\/strong> Ferdinando Martins<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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How to cause the reading of a written reflection with freedom drawing words in time?<\/p>\n

How can we perform the criticism that crosses spaces of creation in a continuous program?<\/p>\n

How to produce archives and create memories about the arts of the scene that can now establish futures, by awakening in those who read the desire to be present with and in the plays shown by MITsp?<\/p>\n

In the program designed as Performative Criticism, we bring together research artists to act with the plays of MITsp’s program, establishing documents seeking to perform choreographies of thought, in which the plays appear collectively in research conversations, both in the way of writing reflective research and in the<\/p>\n

way of reading the practice of critical writing.<\/p>\n

Each artist-researcher person will share their journey through MITsp in a testimonial article, spotting impressions and expanding issues from the micro to the macro event of plural scenes that the festival proposes as a collective creative act with the city and its people.<\/p>\n

Letters to be read online, written in the accumulation of those who perform in act their own body, lively covered by the issues the program presents. And summons!<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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About<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Adriana Pavlova<\/strong> is a journalist, dance critic, postdoctoral student in the Postgraduate Program in Dance at UFRJ and collaborator of Redes da Mar\u00e9.\u00a0<\/strong><\/p>\n

Adriana Schneider<\/strong> is an actress, director and theatre researcher. Professor of the Theatre Direction Course and the Postgraduate Program in Performing Arts (ECO\/UFRJ). Member of the Akademie der K\u00fcnste der Welt (Academy of the Arts of the World), Cologne, Germany.\u00a0<\/strong><\/p>\n

Alexandra Dumas<\/strong> is a PhD professor at the Theatre School and the Postgraduate Program in Performing Arts, at the Federal University of Bahia. She works in the fields of black-referenced theatrical pedagogy and black scenic poetics.<\/p>\n

Anderson Feliciano<\/strong> is a writer, performer and curator. Coordinates the Research Centre on Black Performativities of Galp\u00e3o Cine Horto. As a performer, he participated in festivals in many Latin American countries, Europe and the United States.<\/p>\n

Carmen Luz<\/strong> is a choreographer, filmmaker, visual artist, curator and researcher from Rio de Janeiro in dance and theatre. Her works address the body arts and imaginary Afro-descendants.<\/p>\n

Julia Guimar\u00e3es<\/strong> is a professor at the Department of Performing Arts at UnB. She is the editor of Subtexto magazine (Galp\u00e3o Cine Horto\/BH) and newspaper Letras (Caf\u00e9 com Letras\/BH), and collaborates with the theatre criticism platform Horizonte da Cena.<\/p>\n

Lucelia Sergio<\/strong> is an actress, director, art educator and co-founder of the theatre company Os Crespos. She holds a degree from the School of Dramatic Art (EAD\/ECA\/USP) and a degree in Performing Arts from Faculdade Paulista de Artes.\u00a0<\/strong><\/p>\n

Valmir Santos<\/strong> is a journalist and critic, founder of website Teatrojornal \u2013 Leituras de Cena, which he edits since 2010. He is a doctoral student in performing arts from ECA-USP.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Critical Practice With Adriana Pavlova, Adriana Schneider, Alexandra Dumas, Anderson Feliciano, Carmen Luz, Julia Guimar\u00e3es, Lucelia Sergio and Valmir Santos Coordination J\u00falia Guimar\u00e3es Edition Ferdinando Martins How to cause the reading of a written reflection with freedom drawing words in time? How can we perform the criticism that crosses spaces of creation in a continuous […]<\/p>\n","protected":false},"author":1,"featured_media":4427,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,70,49,43],"tags":[],"class_list":["post-4727","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2024-en","category-critical-practice","category-critical-regards","category-eixos-en-mitsp"],"yoast_head":"\nCritical Practice - MITsp - Mostra Internacional de Teatro de S\u00e3o Paulo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mitsp.org\/en\/2024\/critical-practice\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Critical Practice\" \/>\n<meta property=\"og:description\" content=\"Critical Practice With Adriana Pavlova, Adriana Schneider, Alexandra Dumas, Anderson Feliciano, Carmen Luz, Julia Guimar\u00e3es, Lucelia Sergio and Valmir Santos Coordination J\u00falia Guimar\u00e3es Edition Ferdinando Martins How to cause the reading of a written reflection with freedom drawing words in time? 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