{"id":4583,"date":"2024-01-31T21:58:01","date_gmt":"2024-02-01T00:58:01","guid":{"rendered":"https:\/\/mitsp.org\/2024\/commented-reading-rodrigueanes\/"},"modified":"2024-02-21T19:32:53","modified_gmt":"2024-02-21T22:32:53","slug":"commented-reading-rodrigueanes","status":"publish","type":"post","link":"https:\/\/mitsp.org\/en\/2024\/commented-reading-rodrigueanes\/","title":{"rendered":"Commented Reading: Rodrigueanes"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"4583\" class=\"elementor elementor-4583 elementor-1969\" data-elementor-settings=\"{&quot;element_pack_global_tooltip_width&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_width_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_width_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_padding&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_padding_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_padding_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true}}\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-334c9ec elementor-section-content-middle elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"334c9ec\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7281b601\" data-id=\"7281b601\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-54495aa elementor-widget elementor-widget-text-editor\" data-id=\"54495aa\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Pedagogies of Teatra Encounter<\/strong><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-668458d0 elementor-widget elementor-widget-heading\" data-id=\"668458d0\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Commented reading: Rodrigueanes<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-3646399c elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"3646399c\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-42f7219d\" data-id=\"42f7219d\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6b7b36ec elementor-widget elementor-widget-text-editor\" data-id=\"6b7b36ec\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Actors and actresses revisit the work of playwright Nelson Rodrigues (1912-1980) by reading excerpts from his plays while they themselves comment with high spirits on what they find &#8220;problematic&#8221; \u2013 or not.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4cd5c06f elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"4cd5c06f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1a726ef5 elementor-widget elementor-widget-heading\" data-id=\"1a726ef5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">WHEN AND WHERE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4144b61a elementor-widget elementor-widget-text-editor\" data-id=\"4144b61a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>March 5th, Tuesday, from 5:30pm to 7pm<\/strong><\/p><p>Biblioteca M\u00e1rio de Andrade | Auditorium<\/p><p><span class=\"LrzXr\">R. da Consola\u00e7\u00e3o, 94 &#8211; Rep\u00fablica, S\u00e3o Paulo &#8211; SP.<\/span><\/p><p><strong>Free<br \/><\/strong>Tickets will be available 1h before the event starts. Entrance subject to capacity.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-dec969b\" data-id=\"dec969b\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-75b191c0 elementor-widget elementor-widget-image\" data-id=\"75b191c0\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/mitsp.org\/wp-content\/uploads\/2024\/01\/MITsp-Bernardo-Assis-Fabia-Passos-LeonaJhovs-Wollie-Ruy.jpg\" class=\"attachment-full size-full wp-image-3625\" alt=\"\" srcset=\"https:\/\/mitsp.org\/wp-content\/uploads\/2024\/01\/MITsp-Bernardo-Assis-Fabia-Passos-LeonaJhovs-Wollie-Ruy.jpg 600w, https:\/\/mitsp.org\/wp-content\/uploads\/2024\/01\/MITsp-Bernardo-Assis-Fabia-Passos-LeonaJhovs-Wollie-Ruy-300x200.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Bernardo de Assis @Umbarja, Fabia Passos @Pedro Viana, Leona Jhovs @gaT\u00fa Filmes e Wallie Ruy @Karen Malagoli<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<div class=\"elementor-element elementor-element-3b4fb6d elementor-widget elementor-widget-heading\" data-id=\"3b4fb6d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">ABOUT<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3130f1da elementor-widget elementor-widget-text-editor\" data-id=\"3130f1da\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Bernardo de Assis<\/strong> is an actor, theatrical director and storyteller. Trans man, bisexual and peripheral, has been in more than ten shows and, in the audiovisual, participated in the series <em>N\u00f3s, Transviar, Todxs N\u00f3s <\/em>[We, Drift, We All] and<em> Noturnos<\/em> [Nocturnes] and the soap opera <em>Salve-se quem Puder <\/em>[Save Yourself While You Can].<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>F\u00e1bia Mirassos <\/strong>worked with Os Satyros Co. and, since 2017, has been part of the cast of Mungunz\u00e1 Co. Along with the Ultravioletas, debuted <em>Uma Unidade Astron\u00f4mica <\/em>[An Astronomical Unit], in addition to having staged her first solo, <em>Vienen por M\u00ed<\/em> [They&#8217;re after Me]. In audiovisual she acted in the series <em>N\u00f3s<\/em> [We], <em>Todx N\u00f3s<\/em> [We All] and <em>Manh\u00e3s de Setembro<\/em> [September Mornings].<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Leona Jhovs <\/strong>is multiartist and artivist, actress, director, screenwriter, co-founder of MONART and collaborator in the <em>Manifesto Representatividade Trans<\/em>. She is also co-founder of Casa Chama and co-founder and current president of Instituto Luz.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Wallie Ruy <\/strong>has a degree in performing arts from the Federal University of Ouro Preto (Ufop) and a theat(r)e degree from Universidade Antrop\u00f3faga, at Oficina Uzyna Uzona Theatre. Acting the arts of the scene and the boundless cultivation of life, she daily embodies human possessions and joy and builds her career in theatre, film and television.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-12a06d33 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"12a06d33\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-78962cb0\" data-id=\"78962cb0\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Pedagogies of Teatra Encounter Commented reading: Rodrigueanes Actors and actresses revisit the work of playwright Nelson Rodrigues (1912-1980) by reading excerpts from his plays while they themselves comment with high spirits on what they find &#8220;problematic&#8221; \u2013 or not. WHEN AND WHERE March 5th, Tuesday, from 5:30pm to 7pm Biblioteca M\u00e1rio de Andrade | Auditorium [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3625,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,43,44,64],"tags":[],"class_list":["post-4583","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2024-en","category-eixos-en-mitsp","category-pedagogical-actions","category-pedagogies-of-teatra-encounter"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Commented Reading: Rodrigueanes - MITsp - Mostra Internacional de Teatro de S\u00e3o Paulo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mitsp.org\/en\/2024\/commented-reading-rodrigueanes\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Commented Reading: Rodrigueanes\" \/>\n<meta property=\"og:description\" content=\"Pedagogies of Teatra Encounter Commented reading: Rodrigueanes Actors and actresses revisit the work of playwright Nelson Rodrigues (1912-1980) by reading excerpts from his plays while they themselves comment with high spirits on what they find &#8220;problematic&#8221; \u2013 or not. 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