{"id":3820,"date":"2024-01-31T09:50:56","date_gmt":"2024-01-31T12:50:56","guid":{"rendered":"https:\/\/mitsp.org\/2024\/what-stains\/"},"modified":"2024-02-16T07:37:10","modified_gmt":"2024-02-16T10:37:10","slug":"what-stains","status":"publish","type":"post","link":"https:\/\/mitsp.org\/en\/2024\/what-stains\/","title":{"rendered":"What stains"},"content":{"rendered":"\t\t
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What stains<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Beatriz Sano e Eduardo Fukushima<\/em><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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S\u00e3o Paulo\/SP, 2021 | 35 min | Parental Rating Free<\/p>

ORIGINAL TITLE<\/strong>
O que mancha<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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@Danielle Satiko<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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6\/3, Wednesday, 7.30pm<\/strong><\/p>

7\/3, Thursday, 7pm<\/strong><\/p>

\u00a0<\/p>

CCSP | Sala Adoniran Barbosa<\/a><\/p>

R. Vergueiro, 1000, Liberdade
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\"\"\u00a0<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tTicket<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Atividades Relacionadas<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tCritical Regards<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tPedagogical Activities<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tCritics<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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SYNOPSIS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In this first show directed and danced by Beatriz Sano and Eduardo Fukushima, both blur the boundaries on and off stage. Flowing across the roles of choreographers, directors and dancers, the duo builds the work from the intertwined vibration between voice and movement. The act of simultaneously producing sound and gesture makes the notions of duality, such as human and animal, woman and man, and living and dead matter, to be disrupted. Blend in each other, the two stain the body edges and travel through sounds captured and reworked live on an editing board. In this flow, they examine other possible forms of communication and give space for two existences to expand the imaginaries of their relationships.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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HISTORY<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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For ten years, dance artists Beatriz Sano and Eduardo Fukushima have collaborated on each other’s artistic works. Together, they taught and directed group choreography through artistic residencies in dance in S\u00e3o Paulo, Chile and Paraty. They also co-directed, together with Isabel R. Monteiro and J\u00falia Rocha, the play Imagine, granted by the 23rd Cultura Inglesa Festival, and developed the project Duas Pe\u00e7as para Ouvir<\/em> [Two Pieces to Listen], granted by ProAC Expresso LAB Aldir Blanc. The play What stains<\/em> started in 2018 along with the Le Flaneur project and was supported by the Rolex Arts Institute. Before its on-site premiere, the show was broadcast live by Bienal Sesc de Dan\u00e7a (2021). In 2023, the duo premiered the play Horizonte <\/em>[Horizon], at the Tomie Ohtake Institute, in S\u00e3o Paulo. In the same year, Fukushima choreographed the S\u00e3o Paulo Companhia de Dan\u00e7a and both will choreograph the Bal\u00e9 da Cidade de S\u00e3o Paulo in the work Horizonte<\/em>+.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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CRITIC<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The movement is low, almost never bipedal, almost never lying down, always in the space between, always in transition, coloured by vocal sounds that give rhythm to the composition and feed the mystery. Another world Wind, birds, forest beings, repetitions, oscillations. And both always close, always of the same species.<\/p>\n

Jane Oliveira, Post de Dan\u00e7a<\/a><\/p>\n

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In What stains nothing seems unreasonable. Sano and Fukushima, alongside great artistic partnerships, elaborate, from the micro universe to the broadest, possibilities of contacts and contagions that are magnified, disseminated and not silenced. This is a work of flow. Here, something continues, persists, insists, doesn’t unravel, doesn’t vanish \u2013 fills, occupies, stains, doesn’t fade.<\/p>\n

Henrique Rochelle, Outra Dan\u00e7a<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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TECHNICAL SHEET<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Co-direction, concept and dance<\/strong>: Beatriz Sano and Eduardo Fukushima<\/p>\n

Dramaturgy<\/strong>: J\u00falia Rocha<\/p>\n

Light design and scenic space<\/strong>: Hideki Matsuka<\/p>\n

Lighting Assistant<\/strong>: Igor Sane<\/p>\n

Light Technician<\/strong>: Patricia Savoy<\/p>\n

Sound concept<\/strong>: \u00a0Miguel Caldas, Rodolphe Alexis, Beatriz Sano and Eduardo Fukushima<\/p>\n

Audio capture<\/strong>: Miguel Caldas, Rodolphe Alexis and Chico Leibholz<\/p>\n

Sound adjustment and live composition<\/strong>: Chico Leibholz<\/p>\n

Photos<\/strong>: Paula Ramos, Wojciech Ga\u0142uszka, Fernando Bizan and Dany Satiko<\/p>\n

Costumes<\/strong>: Beatriz Sano, Eduardo Fukushima, J\u00falia Rocha, Isabel Ramos Monteiro and Hideki Matsuka<\/p>\n

Video capture<\/strong>: Pedro Nishi<\/p>\n

Production<\/strong>: Corpo Rastreado<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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WEBSITE AND SOCIAL MEDIA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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@bia_sano<\/a><\/p>\n

@eduardofukushimaa<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

What stains Beatriz Sano e Eduardo Fukushima S\u00e3o Paulo\/SP, 2021 | 35 min | Parental Rating Free ORIGINAL TITLEO que mancha @Danielle Satiko 6\/3, Wednesday, 7.30pm 7\/3, Thursday, 7pm \u00a0 CCSP | Sala Adoniran Barbosa R. Vergueiro, 1000, Liberdade \u00a0 Ticket Atividades Relacionadas Critical Regards Pedagogical Activities Critics SYNOPSIS In this first show directed and […]<\/p>\n","protected":false},"author":1,"featured_media":3617,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,8,43,9,46,12],"tags":[],"class_list":["post-3820","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2024-en","category-8","category-eixos-en-mitsp","category-eixos-mitsp","category-mitbr-brazil-plataform","category-mitbr-plataforma-brasil"],"yoast_head":"\nWhat stains - MITsp - Mostra Internacional de Teatro de S\u00e3o Paulo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mitsp.org\/en\/2024\/what-stains\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"What stains\" \/>\n<meta property=\"og:description\" content=\"What stains Beatriz Sano e Eduardo Fukushima S\u00e3o Paulo\/SP, 2021 | 35 min | Parental Rating Free ORIGINAL TITLEO que mancha @Danielle Satiko 6\/3, Wednesday, 7.30pm 7\/3, Thursday, 7pm \u00a0 CCSP | Sala Adoniran Barbosa R. 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