{"id":3814,"date":"2024-01-31T09:30:55","date_gmt":"2024-01-31T12:30:55","guid":{"rendered":"https:\/\/mitsp.org\/2024\/people-from-there\/"},"modified":"2024-02-16T07:37:12","modified_gmt":"2024-02-16T10:37:12","slug":"people-from-there","status":"publish","type":"post","link":"https:\/\/mitsp.org\/en\/2024\/people-from-there\/","title":{"rendered":"People from There"},"content":{"rendered":"\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

People from There<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Wellington Gadelha<\/em><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Fortaleza\/CE, 2018 | 50 min | Parental Rating 16+<\/p>\n

 <\/p>\n

ORIGINAL TITLE<\/strong>
\nGente de L\u00e1<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\"People\t\t\t\t\t\t\t\t\t\t\t
@Renato Mangolin<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

8\/3, Friday, 6pm<\/strong><\/p>

9\/3, Saturday, at 6pm<\/strong><\/p>

\u00a0<\/p>

CCSP | Espa\u00e7o Ademar Guerra<\/a><\/p>

R. Vergueiro, 1000, Liberdade<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

\"\"\u00a0<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tTicket<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Atividades Relacionadas<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tCritical Regards<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tPedagogical Activities<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tCritics<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

SYNOPSIS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

A poetic moment of accusation and affront is proposed by Wellington Gadelha in this black, ghetto, urban and transversal scenic action. The artist from Cear\u00e1 starts with the research of a Russian roulette body to reflect urgent issues ranging from the daily slaughters in Fortaleza, in Cear\u00e1, to the structural massacre of the black population in the country. Crossed by the visual arts, the work creates and recreates the forms and senses of the objects with which the performer relates onstage. Among arrays of movements and improvisation, finding in the funk 150 bpm sound its thermometer, the solo brings the emergency as a dramaturgical device and builds a corporeality capable of breaching the preestablished borders for blacks in dance, rethinking territories, violence and subjective circuits of ethnic-racial and spatial segregation in urban context. At a crossroads where life and art collide, the performance is a triggering exercise and an invitation to reflection.<\/p>

Trigger warning<\/strong>: contains loud music and claustrophobic images.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

HISTORY<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Multidisciplinary artist, Wellington Gadelha develops work and research at Plataforma Afrontamento. He holds performances, video dances, installations and immersive processes in technological art and sound art, in addition to integrating a network of collectives with an emphasis on human rights, periphery and black youth. With People from There<\/em>, he has performed at the Dance Biennial of Cear\u00e1, Itacar\u00e9 Festival (Bahia), Atos de Fala (Rio de Janeiro and Zurich), Panorama Festival (France) and the Sesc Dance Biennial (S\u00e3o Paulo).<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

CRITIC<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

The contemporary dance show People from There, by Wellington Gadelha, from Cear\u00e1, touches on a wound that bleeds daily in the favelas of the capital of Cear\u00e1, but also in the outskirts of other major Brazilian cities.<\/em><\/p>

Wolney Batista, Di\u00e1rio do Nordeste<\/a><\/em><\/p>

\u00a0<\/p>

Giving a body to necropolitics under the periphery icon is not a simple task, as it would require the engagement of language with aesthetic experience in a total agency of the bodily senses with the materiality of death and violence that determines this territory in its economic subordination. \u2018People from There\u2019, a choreographic performance created by Wellington Gadelha, artist, activist and resident of the periphery of Fortaleza, Cear\u00e1, places itself precisely in this challenge: to deceive death and displace its senses, in order to articulate not a metaphorical periphery depiction, but a set of biases that we could understand as the singularity of a body-periphery.<\/em><\/p>

Pablo Assump\u00e7\u00e3o Barros Costa and Christine Greiner, in <\/a>\u00a0<\/span>the<\/span><\/a> article Dobrar a morte, despossuir a viol\u00eancia: corpo, performance, necropol\u00edtica<\/a><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

TECHNICAL SHEET<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Concept, dramaturgy and sound research<\/strong>: Wellington Gadelha<\/p>\n

Audiovisual concept and sound<\/strong>: Priscilla Sousa<\/p>\n

Lighting and sound<\/strong>: F\u00e1bio Silva and Yanka Leandra<\/p>\n

Set<\/strong>: Wellington Gadelha and Emanuel Oliveira<\/p>\n

Mentoring<\/strong>: Luiz de Abreu<\/p>\n

Dramaturgical interlocutors<\/strong>: Leonardo Fran\u00e7a and Thereza Rocha<\/p>\n

Music production<\/strong>: DJ Pedro Ribeiro<\/p>\n

Executive production<\/strong>: Georgiane Carvalho<\/p>\n

Production<\/strong>: Plataforma Afrontamento<\/p>\n

Graphic design<\/strong>: Diogo Braga<\/p>\n

Supported by<\/strong>: Rumos Ita\u00fa Cultural<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

WEBSITE AND SOCIAL MEDIA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

@well.gadelha <\/span><\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

People from There Wellington Gadelha Fortaleza\/CE, 2018 | 50 min | Parental Rating 16+   ORIGINAL TITLE Gente de L\u00e1 @Renato Mangolin 8\/3, Friday, 6pm 9\/3, Saturday, at 6pm \u00a0 CCSP | Espa\u00e7o Ademar Guerra R. Vergueiro, 1000, Liberdade \u00a0 Ticket Atividades Relacionadas Critical Regards Pedagogical Activities Critics SYNOPSIS A poetic moment of accusation and […]<\/p>\n","protected":false},"author":1,"featured_media":3614,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,8,43,9,46,12],"tags":[],"class_list":["post-3814","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2024-en","category-8","category-eixos-en-mitsp","category-eixos-mitsp","category-mitbr-brazil-plataform","category-mitbr-plataforma-brasil"],"yoast_head":"\nPeople from There - MITsp - Mostra Internacional de Teatro de S\u00e3o Paulo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mitsp.org\/en\/2024\/people-from-there\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"People from There\" \/>\n<meta property=\"og:description\" content=\"People from There Wellington Gadelha Fortaleza\/CE, 2018 | 50 min | Parental Rating 16+   ORIGINAL TITLE Gente de L\u00e1 @Renato Mangolin 8\/3, Friday, 6pm 9\/3, Saturday, at 6pm \u00a0 CCSP | Espa\u00e7o Ademar Guerra R. Vergueiro, 1000, Liberdade \u00a0 Ticket Atividades Relacionadas Critical Regards Pedagogical Activities Critics SYNOPSIS A poetic moment of accusation and […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/mitsp.org\/en\/2024\/people-from-there\/\" \/>\n<meta property=\"og:site_name\" content=\"MITsp - Mostra Internacional de Teatro de S\u00e3o Paulo\" \/>\n<meta property=\"article:published_time\" content=\"2024-01-31T12:30:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-02-16T10:37:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/mitsp.org\/wp-content\/uploads\/2024\/01\/MITbr-Gente-de-La.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"600\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"maducato_admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"maducato_admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/mitsp.org\/en\/2024\/people-from-there\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/mitsp.org\/en\/2024\/people-from-there\/\"},\"author\":{\"name\":\"maducato_admin\",\"@id\":\"https:\/\/mitsp.org\/#\/schema\/person\/d10e475d1270acdf327d8772768cd462\"},\"headline\":\"People from There\",\"datePublished\":\"2024-01-31T12:30:55+00:00\",\"dateModified\":\"2024-02-16T10:37:12+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/mitsp.org\/en\/2024\/people-from-there\/\"},\"wordCount\":528,\"image\":{\"@id\":\"https:\/\/mitsp.org\/en\/2024\/people-from-there\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/mitsp.org\/wp-content\/uploads\/2024\/01\/MITbr-Gente-de-La.jpg\",\"articleSection\":[\"2024\",\"2024\",\"Eixos EN MITsp\",\"Eixos MITsp\",\"MITbr - Brazil Plataform\",\"MITbr \u2013 Plataforma Brasil\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/mitsp.org\/en\/2024\/people-from-there\/\",\"url\":\"https:\/\/mitsp.org\/en\/2024\/people-from-there\/\",\"name\":\"People from There - MITsp - Mostra Internacional de Teatro de S\u00e3o Paulo\",\"isPartOf\":{\"@id\":\"https:\/\/mitsp.org\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/mitsp.org\/en\/2024\/people-from-there\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/mitsp.org\/en\/2024\/people-from-there\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/mitsp.org\/wp-content\/uploads\/2024\/01\/MITbr-Gente-de-La.jpg\",\"datePublished\":\"2024-01-31T12:30:55+00:00\",\"dateModified\":\"2024-02-16T10:37:12+00:00\",\"author\":{\"@id\":\"https:\/\/mitsp.org\/#\/schema\/person\/d10e475d1270acdf327d8772768cd462\"},\"breadcrumb\":{\"@id\":\"https:\/\/mitsp.org\/en\/2024\/people-from-there\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/mitsp.org\/en\/2024\/people-from-there\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/mitsp.org\/en\/2024\/people-from-there\/#primaryimage\",\"url\":\"https:\/\/mitsp.org\/wp-content\/uploads\/2024\/01\/MITbr-Gente-de-La.jpg\",\"contentUrl\":\"https:\/\/mitsp.org\/wp-content\/uploads\/2024\/01\/MITbr-Gente-de-La.jpg\",\"width\":1200,\"height\":600,\"caption\":\"@Renato Mangolin\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/mitsp.org\/en\/2024\/people-from-there\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"In\u00edcio\",\"item\":\"https:\/\/mitsp.org\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"2024\",\"item\":\"https:\/\/mitsp.org\/category\/2024\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"People from There\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/mitsp.org\/#website\",\"url\":\"https:\/\/mitsp.org\/\",\"name\":\"MITsp - Mostra Internacional de Teatro de S\u00e3o Paulo\",\"description\":\"Recortes da cena contempor\u00e2nea mundial\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/mitsp.org\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/mitsp.org\/#\/schema\/person\/d10e475d1270acdf327d8772768cd462\",\"name\":\"maducato_admin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/mitsp.org\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6c3b45186a8f5a459d8e14c7fca370bceae92402bc06171d75e4e559b6c24393?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6c3b45186a8f5a459d8e14c7fca370bceae92402bc06171d75e4e559b6c24393?s=96&d=mm&r=g\",\"caption\":\"maducato_admin\"},\"sameAs\":[\"https:\/\/mitsp.org\"],\"url\":\"https:\/\/mitsp.org\/en\/author\/maducato_admin\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"People from There - MITsp - Mostra Internacional de Teatro de S\u00e3o Paulo","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/mitsp.org\/en\/2024\/people-from-there\/","og_locale":"en_US","og_type":"article","og_title":"People from There","og_description":"People from There Wellington Gadelha Fortaleza\/CE, 2018 | 50 min | Parental Rating 16+   ORIGINAL TITLE Gente de L\u00e1 @Renato Mangolin 8\/3, Friday, 6pm 9\/3, Saturday, at 6pm \u00a0 CCSP | Espa\u00e7o Ademar Guerra R. Vergueiro, 1000, Liberdade \u00a0 Ticket Atividades Relacionadas Critical Regards Pedagogical Activities Critics SYNOPSIS A poetic moment of accusation and […]","og_url":"https:\/\/mitsp.org\/en\/2024\/people-from-there\/","og_site_name":"MITsp - Mostra Internacional de Teatro de S\u00e3o Paulo","article_published_time":"2024-01-31T12:30:55+00:00","article_modified_time":"2024-02-16T10:37:12+00:00","og_image":[{"width":1200,"height":600,"url":"https:\/\/mitsp.org\/wp-content\/uploads\/2024\/01\/MITbr-Gente-de-La.jpg","type":"image\/jpeg"}],"author":"maducato_admin","twitter_card":"summary_large_image","twitter_misc":{"Written by":"maducato_admin","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/mitsp.org\/en\/2024\/people-from-there\/#article","isPartOf":{"@id":"https:\/\/mitsp.org\/en\/2024\/people-from-there\/"},"author":{"name":"maducato_admin","@id":"https:\/\/mitsp.org\/#\/schema\/person\/d10e475d1270acdf327d8772768cd462"},"headline":"People from There","datePublished":"2024-01-31T12:30:55+00:00","dateModified":"2024-02-16T10:37:12+00:00","mainEntityOfPage":{"@id":"https:\/\/mitsp.org\/en\/2024\/people-from-there\/"},"wordCount":528,"image":{"@id":"https:\/\/mitsp.org\/en\/2024\/people-from-there\/#primaryimage"},"thumbnailUrl":"https:\/\/mitsp.org\/wp-content\/uploads\/2024\/01\/MITbr-Gente-de-La.jpg","articleSection":["2024","2024","Eixos EN MITsp","Eixos MITsp","MITbr - Brazil Plataform","MITbr \u2013 Plataforma Brasil"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/mitsp.org\/en\/2024\/people-from-there\/","url":"https:\/\/mitsp.org\/en\/2024\/people-from-there\/","name":"People from There - MITsp - Mostra Internacional de Teatro de S\u00e3o Paulo","isPartOf":{"@id":"https:\/\/mitsp.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/mitsp.org\/en\/2024\/people-from-there\/#primaryimage"},"image":{"@id":"https:\/\/mitsp.org\/en\/2024\/people-from-there\/#primaryimage"},"thumbnailUrl":"https:\/\/mitsp.org\/wp-content\/uploads\/2024\/01\/MITbr-Gente-de-La.jpg","datePublished":"2024-01-31T12:30:55+00:00","dateModified":"2024-02-16T10:37:12+00:00","author":{"@id":"https:\/\/mitsp.org\/#\/schema\/person\/d10e475d1270acdf327d8772768cd462"},"breadcrumb":{"@id":"https:\/\/mitsp.org\/en\/2024\/people-from-there\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/mitsp.org\/en\/2024\/people-from-there\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/mitsp.org\/en\/2024\/people-from-there\/#primaryimage","url":"https:\/\/mitsp.org\/wp-content\/uploads\/2024\/01\/MITbr-Gente-de-La.jpg","contentUrl":"https:\/\/mitsp.org\/wp-content\/uploads\/2024\/01\/MITbr-Gente-de-La.jpg","width":1200,"height":600,"caption":"@Renato Mangolin"},{"@type":"BreadcrumbList","@id":"https:\/\/mitsp.org\/en\/2024\/people-from-there\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"In\u00edcio","item":"https:\/\/mitsp.org\/"},{"@type":"ListItem","position":2,"name":"2024","item":"https:\/\/mitsp.org\/category\/2024\/"},{"@type":"ListItem","position":3,"name":"People from There"}]},{"@type":"WebSite","@id":"https:\/\/mitsp.org\/#website","url":"https:\/\/mitsp.org\/","name":"MITsp - Mostra Internacional de Teatro de S\u00e3o Paulo","description":"Recortes da cena contempor\u00e2nea mundial","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/mitsp.org\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/mitsp.org\/#\/schema\/person\/d10e475d1270acdf327d8772768cd462","name":"maducato_admin","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/mitsp.org\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6c3b45186a8f5a459d8e14c7fca370bceae92402bc06171d75e4e559b6c24393?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6c3b45186a8f5a459d8e14c7fca370bceae92402bc06171d75e4e559b6c24393?s=96&d=mm&r=g","caption":"maducato_admin"},"sameAs":["https:\/\/mitsp.org"],"url":"https:\/\/mitsp.org\/en\/author\/maducato_admin\/"}]}},"_links":{"self":[{"href":"https:\/\/mitsp.org\/en\/wp-json\/wp\/v2\/posts\/3814","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mitsp.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mitsp.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mitsp.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mitsp.org\/en\/wp-json\/wp\/v2\/comments?post=3814"}],"version-history":[{"count":7,"href":"https:\/\/mitsp.org\/en\/wp-json\/wp\/v2\/posts\/3814\/revisions"}],"predecessor-version":[{"id":4278,"href":"https:\/\/mitsp.org\/en\/wp-json\/wp\/v2\/posts\/3814\/revisions\/4278"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mitsp.org\/en\/wp-json\/wp\/v2\/media\/3614"}],"wp:attachment":[{"href":"https:\/\/mitsp.org\/en\/wp-json\/wp\/v2\/media?parent=3814"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mitsp.org\/en\/wp-json\/wp\/v2\/categories?post=3814"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mitsp.org\/en\/wp-json\/wp\/v2\/tags?post=3814"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}