{"id":3796,"date":"2024-01-31T07:15:57","date_gmt":"2024-01-31T10:15:57","guid":{"rendered":"https:\/\/mitsp.org\/2024\/the-history-of-korean-western-theatre\/"},"modified":"2024-02-28T22:15:31","modified_gmt":"2024-02-29T01:15:31","slug":"the-history-of-korean-western-theatre","status":"publish","type":"post","link":"https:\/\/mitsp.org\/en\/2024\/the-history-of-korean-western-theatre\/","title":{"rendered":"The History of Korean Western Theatre"},"content":{"rendered":"\t\t
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The History of Korean Western Theatre<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jaha Koo \/ CAMPO<\/em><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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60 min | Parental Rating 12+<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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3\/3, at 20h<\/strong><\/p>\n

4\/3, at 16h<\/strong><\/p>\n

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Teatro do SESI-SP<\/a><\/p>\n

Avenida Paulista, 1313, Jardins<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Atividades Relacionadas<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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SYNOPSIS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Critically investigating the influence of the Western canon on the history of Korean theatre, Jaha Koo points to the future of new generations. The solo weaves historical facts into the South Korean artist’s personal accounts to raise questions about tradition and authenticity, meticulously exposing the tragic impact of the past on contemporary times. By questioning the real space of the Korean theatrical tradition, the show seeks to break with a logic full of self-censorship and keeping up appearances.<\/span><\/p>\n

The Hamartia Trilogy<\/b><\/p>\n

The History of Western Korean Theatre<\/span><\/i> is the last part of Jaha Koo’s <\/span>Hamartia Trilogy<\/span><\/i>, together with the shows <\/span>Cuckoo<\/span><\/i> and <\/span>Lolling and Rolling<\/span><\/i>. The imperialism of the past and present, and its sometimes unexpected personal impact are the common threads of these three works of documentary theatre presented at MITsp. In Greek, <\/span>hamartia<\/span><\/i> means “tragic flaw or shortcoming”, a concept that interweaves each of the works differently, which themes involve the clash between Eastern and Western cultures.<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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HISTORY<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jaha Koo is a South Korean theatre creator and composer. His work, closely linked to politics, history and his own personal issues, moves between multimedia and performance, bringing music, videos, texts and authorial installations. He currently presents his shows around the world. In 2024, he is working on a new creation, Haribo Kimchi<\/em>, and on his musical project, GuJAHA. The artist took his first steps at the Brussels Arts Workshop Pianofabriek and the B\u00e2tard Festival. Since 2017, he has been creating his work supported by CAMPO, a research, development and artistic production platform based in Belgium.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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CRITIC<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The show’s success lies in Jaha Koo’s aesthetics and sensibility. He manages to intertwine his intimate and personal search with that of his nation. […] With an amazing talent for reinventing formats throughout the presentation, Jaha Koo bridges the richness of Eastern cultural traditions and the use of technology and contemporary art to anchor us in the present. All this to make us reflect on our collective future.<\/em><\/p>\n

Laila Maalouf, La Presse<\/a><\/em><\/p>\n

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The show confronts us with our own lack of understanding of traditional Korean culture and its history, but also with the dangers of fierce, large-scale Westernization. The play leads us to ask what parts of our own cultural heritage we allowed to disappear collectively, out of shame or desire for conformity, under the steamroller of globalisation.<\/em><\/p>\n

Daphn\u00e9 Bathalon, theatre.quebec<\/a><\/em><\/p>\n

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In just one hour, the solo manages to defy time and highlight a duality that transcends theatrical reality: one that places the profane against the sacred. In a corner of the world caught between frightening totalitarianism and savage capitalism, Jaha Koo’s reflections are patently relevant.<\/em><\/p>\n

Dominique Denis, Jeu Revue de Th\u00e9\u00e2tre<\/em><\/p>\n

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TECHNICAL SHEET<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Concept, text, direction, music and video:<\/b> Jaha Koo<\/span><\/p>\n

Performance:<\/b> Jaha Koo, Seri and Toad<\/span><\/p>\n

Dramaturgy: <\/b>Dries Douibi<\/span><\/p>\n

Scenography and drawing:<\/b> Eunkyung Jeong<\/span><\/p>\n

Artistic advisor: <\/b>Pol Heyvaert<\/span><\/p>\n

Technical:<\/b> Korneel Coessens, Jan Berckmans, Bart Huybrechts, Koen Goossens (and Jonas Castelijns)<\/span><\/p>\n

Hardware hacking:<\/b> Idella Craddock<\/span><\/p>\n

Research:<\/b> Eunkyung Jeong and Jaha Koo<\/span><\/p>\n

Research assistance: <\/b>Sang Ok Kim<\/span><\/p>\n

Interview:<\/b> Jooyoung Koh, Kiran Kim and Kyungmi Lee<\/span><\/p>\n

Production:<\/b> CAMPO<\/span><\/p>\n

Co-produced by: <\/b>Kunstenfestivaldesarts (Brussels), M\u00fcnchner Kammerspiele, Frascati Producties (Amsterdam), Veem House for Performance (Amsterdam), SPRING performing arts festival (Utrecht), Z\u00fcrcher Theaterspektakel, Black Box teater (Oslo), International Summer Festival Kampnagel (Hamburg), Tanzquartier Wien, wpZimmer (Antwerp), Th\u00e9\u00e2tre de la Bastille (Paris) and Festival d\u2019Automne \u00e0 Paris\u00a0<\/span><\/p>\n

Residencies:<\/b> Kunstencentrum BUDA (Kortrijk), wpZimmer (Antwerp), Decoratelier Jozef Wouters (Brussels) and Doosan Art Center (Seoul)<\/span><\/p>\n

With the support of: <\/b>Beursschouwburg, Vlaamse Gemeenschapscommissie and Amsterdams Fonds voor de Kunst<\/span><\/p>\n

CAMPO is supported by the city of Ghent and the Flemish Community<\/span><\/i><\/p>\n

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THIS SHOW IS SUPPORTED BY THE KOREAN CULTURAL CENTER IN BRAZIL.<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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WEBSITE AND SOCIAL MEDIA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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www.campo.nu<\/a><\/p>\n

@campo.nu<\/a><\/p>\n

@jaha_koo_<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The History of Korean Western Theatre Jaha Koo \/ CAMPO 60 min | Parental Rating 12+ @Leontien Allemeersch 3\/3, at 20h 4\/3, at 16h   Teatro do SESI-SP Avenida Paulista, 1313, Jardins Ticket Atividades Relacionadas Olhares cr\u00edticos A\u00e7\u00f5es pedag\u00f3gicas Critics SYNOPSIS Critically investigating the influence of the Western canon on the history of Korean theatre, […]<\/p>\n","protected":false},"author":1,"featured_media":3603,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,48,43,47],"tags":[],"class_list":["post-3796","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2024-en","category-artist-in-focus","category-eixos-en-mitsp","category-shows"],"yoast_head":"\nThe History of Korean Western Theatre - MITsp - Mostra Internacional de Teatro de S\u00e3o Paulo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mitsp.org\/en\/2024\/the-history-of-korean-western-theatre\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The History of Korean Western Theatre\" \/>\n<meta property=\"og:description\" content=\"The History of Korean Western Theatre Jaha Koo \/ CAMPO 60 min | Parental Rating 12+ @Leontien Allemeersch 3\/3, at 20h 4\/3, at 16h   Teatro do SESI-SP Avenida Paulista, 1313, Jardins Ticket Atividades Relacionadas Olhares cr\u00edticos A\u00e7\u00f5es pedag\u00f3gicas Critics SYNOPSIS Critically investigating the influence of the Western canon on the history of Korean theatre, […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/mitsp.org\/en\/2024\/the-history-of-korean-western-theatre\/\" \/>\n<meta property=\"og:site_name\" content=\"MITsp - 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