{"id":3792,"date":"2024-01-31T07:45:07","date_gmt":"2024-01-31T10:45:07","guid":{"rendered":"https:\/\/mitsp.org\/2024\/prophetics-we-are-already-born\/"},"modified":"2024-02-16T07:39:18","modified_gmt":"2024-02-16T10:39:18","slug":"prophetics-we-are-already-born","status":"publish","type":"post","link":"https:\/\/mitsp.org\/en\/2024\/prophetics-we-are-already-born\/","title":{"rendered":"Prophetics (We are already born)"},"content":{"rendered":"\t\t
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Prophetics (We are already born)<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Nadia Beugr\u00e9 \/ Libr’Arts<\/em><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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75 min | Parental Rating 14+<\/p>\n

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ORIGINAL TITLE<\/strong>
\nProph\u00e9tique (on est d\u00e9j\u00e0 n\u00e9.es)<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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@Dajana Lothert<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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6\/3, Wednesday, at 9pm<\/strong><\/p>

7\/3, Thursday, at 9pm<\/strong><\/p>

8\/3, Friday, at 7pm<\/strong><\/p>

\u00a0<\/p>

Teatro Arthur Azevedo<\/a><\/p>

Avenida Paes de Barros, 955, Mooca<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"\"\u00a0<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Atividades Relacionadas<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tPedagogical Activities<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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SYNOPSIS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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For a few years, choreographer Nadia Beugr\u00e9 has been reaching out to the transgender community in Abidjan, Ivory Coast largest city. They are people who, designated as boys at birth, cruise between genders with great freedom, even inserted in a very patriarchal society that, at best, pretends not to see them. Hairdressers by day, dance floor divas by night, these characters live exposed and underground, flowing between parallel circuits and solidarity networks, inventing their own dances that, mixing voguing and coup\u00e9-d\u00e9cal\u00e9 [Ivory Coast musical style], conduct the nights of Abidjan. In the show, Beugr\u00e9 continues the investigation into gender and identity, but also about those she calls \u201clost\u201d, the misfits, those on the margins, on the periphery, those who are rejected or ignored. The artist questions the assignments and roles in family, society and history \u2013 both those attributed to people and those they assume.

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Trigger warning<\/strong>: contains loud sound.<\/span><\/i><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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HISTORY<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Nadia Beugr\u00e9 was born in Ivory Coast and, in 1995, debuted as a dancer at Dante Theatre. After two years, she joined Tch\u00e9Tch\u00e9, a company of Ivorian choreographer B\u00e9atrice Komb\u00e9. Working alongside her, Beugr\u00e9 understood that anything can happen onstage. After her mentor’s death in 2007, she studied at the \u00c9cole des Sables in Senegal, and in 2009, she joined Mathilde Monnier’s program for up-and-coming choreographers in Montpellier, France. Soon, she began to stage her own productions, such as solo Quartiers Libres<\/em> (2012). Her last creation before Prophetics<\/em> (We are already born), L\u2019Homme Rare<\/em>, a performance with a male quintet, premiered in 2020. The meeting with French dancer Alain Buffard also determined Beugr\u00e9’s career: it was he who encouraged her to understand more about the body, sexuality and gender. For a decade, the artist’s plays have traced a singular path around the margins, the exclusion, the abnormal; they travel through changing identities. In 2020, with Virginie Dupray, she founded the dance company Libr’Arts, a production and training platform.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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CRITIC<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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With her goals of integrating themes surrounding gender and identity into her work, Beugr\u00e9 pricks her audience with a clinging residue of vulnerability. With an interplay between self and society, untouched identity and suppressive norms, she particularly aims to emphasize perspectives and journeys that are too often dismissed or overshadowed. She takes those whom she calls \u201cstranded\u201d and guides them to new dimensions, in hopes that her audience (like you) can take foot into that journey with her.<\/em><\/p>

Lara Somoroff, Glamcult<\/em><\/a><\/p>

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There is something intimate about the atmosphere, perhaps because the sound is overdriven, or the chairs on stage are not fancy, but white plastic garden furniture. It is precisely this ordinariness that is beautiful; you feel the sultry, warm night, in which the nightclub is both the place to watch and be watched, and the place to hide. Don’t expect neat theatre, the performance says at the start. What we do get is a disarming, passionate and committed piece about trans women in the Ivory Coast. During the day they make other people beautiful, at night it is their turn to shine.<\/em><\/p>

Helen Westerik, Cultuurpers<\/em><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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TECHNICAL SHEET<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Artistic direction<\/strong>: Nadia Beugr\u00e9<\/p>

Performance<\/strong>: Beyonc\u00e9, Canel, Jhaya Caupenne, Taylor Dear, Acau\u00e3 Shereya El Bandide and Kevin Kero<\/p>

Light<\/strong>: Anthony Merlaud<\/p>

Scenography<\/strong>: Jean-Christophe Lanquetin<\/p>

Artistic assistance<\/strong>: Christian Romain Kossa<\/p>

Light management<\/strong>: Bia Kaysel<\/p>

External eye<\/strong>: Nadim Bahsoun and Adonis Nebi\u00e9<\/p>

Subtitles translation<\/strong>: Marta Lisboa<\/p>

Production<\/strong>: Virginie Dupray (Libr’Arts)<\/p>

Co-production<\/strong>: Kunstenfestivaldesarts Brussels, Th\u00e9\u00e2tre Le Rideau Brussels, Montpellier Danse, Points Communs Cergy Pontoise, Holland Festival Amsterdam, Culturescapes 2023 Sahara, ICI \u2013 Centre Chor\u00e9graphique National Montpellier Occitanie (direction: Christian Rizzo), Fonds Transfabrik \u2013 Fonds franco-allemand pour le spectacle vivant, Tanz im August\/HAU Hebbel am Ufer Berlin, La Place de la danse CDCN Toulouse Occitanie, Th\u00e9\u00e2tre Garonne sc\u00e8ne europ\u00e9enne \u2013 Toulouse, Les Spectacles Vivants \u2013 Centre Pompidou Paris, Festival d\u2019Automne \u00e0 Paris, Spielart Theaterfestival Munich, Th\u00e9\u00e2tre de Freiburg, Africa Moment Residency: Agora de la danse Montpellier danse, Th\u00e9\u00e2tre Le Rideau Brussels, with support from the DRAC Occitanie \u2013 French Ministry for Culture and Communication, and thanks to Ivoire Marionnettes Abidjan and Institut Fran\u00e7ais de C\u00f4te d\u2019Ivoire

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THIS SHOW IS SUPPORTED BY THE CONSULATE GENERAL OF FRANCE IN S\u00c3O PAULO AND THE INSTITUT FRAN\u00c7AIS<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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WEBSITE AND SOCIAL MEDIA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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www.nadiabeugre.com<\/span><\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Prophetics (We are already born) Nadia Beugr\u00e9 \/ Libr’Arts 75 min | Parental Rating 14+   ORIGINAL TITLE Proph\u00e9tique (on est d\u00e9j\u00e0 n\u00e9.es) @Dajana Lothert 6\/3, Wednesday, at 9pm 7\/3, Thursday, at 9pm 8\/3, Friday, at 7pm \u00a0 Teatro Arthur Azevedo Avenida Paes de Barros, 955, Mooca \u00a0 Ticket Atividades Relacionadas Critical Regards Pedagogical Activities […]<\/p>\n","protected":false},"author":1,"featured_media":3601,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,41,43,9,25,47,13,50],"tags":[],"class_list":["post-3792","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-8","category-2024-en","category-eixos-en-mitsp","category-eixos-mitsp","category-espetaculos","category-shows","category-mostra-de-espetaculos","category-shows-en"],"yoast_head":"\nProphetics (We are already born) - MITsp - Mostra Internacional de Teatro de S\u00e3o Paulo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mitsp.org\/en\/2024\/prophetics-we-are-already-born\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Prophetics (We are already born)\" \/>\n<meta property=\"og:description\" content=\"Prophetics (We are already born) Nadia Beugr\u00e9 \/ Libr’Arts 75 min | Parental Rating 14+   ORIGINAL TITLE Proph\u00e9tique (on est d\u00e9j\u00e0 n\u00e9.es) @Dajana Lothert 6\/3, Wednesday, at 9pm 7\/3, Thursday, at 9pm 8\/3, Friday, at 7pm \u00a0 Teatro Arthur Azevedo Avenida Paes de Barros, 955, Mooca \u00a0 Ticket Atividades Relacionadas Critical Regards Pedagogical Activities […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/mitsp.org\/en\/2024\/prophetics-we-are-already-born\/\" \/>\n<meta property=\"og:site_name\" content=\"MITsp - 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