{"id":3784,"date":"2024-01-31T07:20:00","date_gmt":"2024-01-31T10:20:00","guid":{"rendered":"https:\/\/mitsp.org\/2024\/broken-chord\/"},"modified":"2024-02-28T21:31:37","modified_gmt":"2024-02-29T00:31:37","slug":"broken-chord","status":"publish","type":"post","link":"https:\/\/mitsp.org\/en\/2024\/broken-chord\/","title":{"rendered":"Broken Chord"},"content":{"rendered":"\t\t
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Broken Chord<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Gregory Maqoma and Thuthuka Sibisi<\/em><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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60 min | Parental rating\u00a0 12+<\/span>\u00a0<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Thomas Muller<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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29\/2, at 20h*<\/strong><\/p>\n

1\/3, at 21h<\/strong><\/p>\n

2\/3, at 21h<\/p>\n

<\/strong><\/p>\n

Sesc Pinheiros | Teatro Paulo Autran<\/a><\/p>\n

R. Paes Leme, 195, Pinheiros<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"\" \"Audiodescri\u00e7\u00e3o\"<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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*sess\u00e3o de abertura somente para convidados.<\/p>\n

A sess\u00e3o da sexta (1) conta com audiodescri\u00e7\u00e3o.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Atividades Relacionadas<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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SYNOPSIS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Between 1891-1893, a group of young African singers called The African (Native) Choir travelled by boat to Britain, Canada and America. This ensemble of the missionary-educated black elite, were on a mission to raise funds for a technical school in Kimberley, South Africa. The show by Gregory Maqoma and Thuthuka Sibisi starts from recordings of the group, revealing a drama of global dimension and looking at the black body as a political site. Using elements of Xhosa [South African ethnic group] dance and contemporary dance alongside atmospheric soundscapes, the work not only reflects on an archive, but addresses urgent issues about migration, dispossession and borders, questioning the relationship between the colonised and the coloniser \u2013 and either’s complicity in shaping and shifting the South African narrative, past and present.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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HISTORY<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Gregory Maqoma is an internationally renowned dancer, choreographer, teacher, director and screenwriter. Born in Soweto, South Africa, he began his formal dance training in 1990 at Moving into Dance, where in 2002 he became associate artistic director. He founded the Vuyani Dance Theatre (VDT) in 1999 while receiving a scholarship from the Performing Arts Research and Training School (PARTS) in Belgium under the direction of Anne Teresa De Keersmaeker. Maqoma is respected for his collaborations with artists of his generation, having worked with choreographers such as Akram Khan, Vincent Mantsoe, Faustin Linyekula, Dada Masilo, Shanell Winlock, and Sidi Larbi Cherkaoui. He received awards such as the FNB Vita Choreographer of the Year (1999, 2001 and 2002), the Standard Bank Young Artist Award for Dance (2002) and the Tunkie Award for Leadership in Dance (2012).<\/p>\n

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Thuthuka Sibisi is a composer, musician and music director. He started his studies in music at the Drakensberg Boys Choir School in South Africa, where his passion for performance has begun. He holds a bachelor’s degree in music from Stellenbosch University, also in South Africa, and he has a MA (performance making<\/em>) program at Goldsmiths, University of London, United Kingdom. Alongside his studies in music, he completed his training in physical theatre and movement with Sam Prigge and Estelle Olivier. He has toured with his work in South Africa, Asia, South America and Europe, and has received awards such as the Mail & Guardian 200 Young South Africans (2017) and the Ampersand Foundation Fellow (2018).<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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CRITIC<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Not only are the four leads sterling singers, with stamina, but they are charismatic movers too, backing up Maqoma, who at 49 has said this show will be his last as a performer. Still, he moves with ease and magnetism: feet skipping, torso shaking, shoulders and hips bouncing in their sockets, drawing on Xhosa and contemporary dance. He seems to embody multiple facets of the journey: he\u2019s unsettled, he\u2019s homesick, he\u2019s resolute, he\u2019s playful, he\u2019s powerful.<\/em><\/p>\n

Lyndsey Winship, The Guardian<\/a><\/p>\n

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Maqoma acts throughout like a human antenna, receiving vibrations and translating them into serpentine or avian motion, spins, rhythmic stomping, Michael Jackson poses and, climactically, a fevered shaking. Often, his improvised-looking responses work against or on top of a musical foundation provided by everyone else. Sometimes he idles, sometimes he makes everything take off. The show is impressionistic and episodic.<\/em><\/p>\n

Brian Seibert, The New York Times<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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TECHNICAL SHEET<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Concept<\/strong>: Gregory Maqoma and Thuthuka Sibisi<\/p>\n

Choreographer<\/strong>: Gregory Maqoma<\/p>\n

Composer and Musical Director<\/strong>: Thuthuka Sibisi<\/p>\n

Dramaturg<\/strong>: Shanell Winlock<\/p>\n

Cast<\/strong>: Gregory Maqoma, Luvo Rasemeni, Tshegofatso Khunwane, Xolisile Bongwana and Nokuthula Magubane<\/p>\n

Choir of local artists: <\/b>Andrea Nagamine, Ariel Bernardi, Daniel Umbelino, Fernanda Pimenta, Giu de Castro, Guilherme Aquino, Helena Toro, Isabelle Dumalakas, Jess\u00e9 Vieira, Juli\u00e1n Lisnichuk, Nath\u00e1lia Serrano, Rodrigo Morales, Simone Luiz, Ulisses Montoni, Wilian Manoel and Zi Vasconcellos<\/span><\/p>\n

Technical Design<\/strong>: Oliver Hauser<\/p>\n

Technical Director<\/strong>: Ralf Nonn<\/p>\n

Sound Design<\/strong>: Nthuthuko Mbuyazi<\/p>\n

Costume Design<\/strong>: Maxhosa by Laduma Ngxokolo<\/p>\n

Executive Producer<\/strong>: Gregory Maqoma Industries<\/p>\n

Co-Producers<\/strong>: Festival Grec (Barcelona), Manchester International Festival, Th\u00e9\u00e2tre de la Ville (Paris), Weimar Arts Festival (National Theater), Festpielhaus St P\u00f6lten, Torinodanza Festival\/Teatro Stabile di Torino (Teatro Nazionale), Festival Aperto\/Fondazione I Teatri \u2013 Reggio Emilia, Stanford Live at Stanford University and Sadler\u2019s Wells London<\/p>\n

Production Manager<\/strong>: Siyandiswa Dokoda<\/p>\n

Assistant to Composer<\/strong>: Mhlaba Buthelezi<\/p>\n

Movement Understudy<\/strong>: Katleho Lekhula<\/p>\n

Wardrobe Assistant<\/strong>: Nathi Mnisi<\/p>\n

 <\/p>\n

Special Thanks to the Market Theatre Foundation, Tshwane University of Technology Performing Arts (Vocal Arts) and Carlos Cansino P\u00e9rez.<\/em><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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WEBSITE AND SOCIAL MEDIA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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@gregmaqoma<\/a><\/p>\n

@its.thuthuka.again<\/a><\/p>\n

@gregmaqoma_industries<\/a><\/p>\n

gregmaqoma.com<\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Broken Chord Gregory Maqoma and Thuthuka Sibisi 60 min | Parental rating\u00a0 12+\u00a0 Thomas Muller 29\/2, at 20h* 1\/3, at 21h 2\/3, at 21h Sesc Pinheiros | Teatro Paulo Autran R. Paes Leme, 195, Pinheiros Ticket *sess\u00e3o de abertura somente para convidados. A sess\u00e3o da sexta (1) conta com audiodescri\u00e7\u00e3o. Atividades Relacionadas Critical Regards Pedagogical […]<\/p>\n","protected":false},"author":1,"featured_media":3595,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,43,47,50],"tags":[],"class_list":["post-3784","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2024-en","category-eixos-en-mitsp","category-shows","category-shows-en"],"yoast_head":"\nBroken Chord - MITsp - Mostra Internacional de Teatro de S\u00e3o Paulo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mitsp.org\/en\/2024\/broken-chord\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Broken Chord\" \/>\n<meta property=\"og:description\" content=\"Broken Chord Gregory Maqoma and Thuthuka Sibisi 60 min | Parental rating\u00a0 12+\u00a0 Thomas Muller 29\/2, at 20h* 1\/3, at 21h 2\/3, at 21h Sesc Pinheiros | Teatro Paulo Autran R. Paes Leme, 195, Pinheiros Ticket *sess\u00e3o de abertura somente para convidados. A sess\u00e3o da sexta (1) conta com audiodescri\u00e7\u00e3o. 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