{"id":13359,"date":"2026-02-08T20:03:47","date_gmt":"2026-02-08T23:03:47","guid":{"rendered":"https:\/\/mitsp.org\/2026\/critical-perspectives\/"},"modified":"2026-03-02T20:11:12","modified_gmt":"2026-03-02T23:11:12","slug":"critical-perspectives","status":"publish","type":"post","link":"https:\/\/mitsp.org\/en\/2026\/critical-perspectives\/","title":{"rendered":"Critical Perspectives"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"13359\" class=\"elementor elementor-13359 elementor-10714\" data-elementor-settings=\"{&quot;element_pack_global_tooltip_width&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_width_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_width_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_padding&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_padding_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_padding_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true}}\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-f239869 e-flex e-con-boxed e-con e-parent\" data-id=\"f239869\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-25fd1aa elementor-widget elementor-widget-heading\" data-id=\"25fd1aa\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Critical Perspectives<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-fdff275 e-flex e-con-boxed e-con e-parent\" data-id=\"fdff275\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-4be3cf3 elementor-widget elementor-widget-text-editor\" data-id=\"4be3cf3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>MITsp\u2019s reflective axis investigates theater as a public form of thought: not \u201cthemes,\u201d but procedures \u2014 how one writes, how presence is composed, how a story circulates when language itself is also a field of dispute. The program brings together traditions and inventions, embraces cross-disciplinary dialogue, and understands criticism as a practice \u2014 a way of accompanying the work from within, without pacifying conflict.<\/p>\n<p><strong>CURATED BY<\/strong> Helena Vieira<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-21f44ca elementor-widget elementor-widget-bdt-post-gallery\" data-id=\"21f44ca\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;columns&quot;:&quot;3&quot;,&quot;columns_tablet&quot;:&quot;2&quot;,&quot;columns_mobile&quot;:&quot;1&quot;}\" data-widget_type=\"bdt-post-gallery.bdt-trosia\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"bdt-post-gallery-wrapper\">\n\n\t\t\t\t\t<div id=\"bdt-post-gallery-21f44ca\" class=\"bdt-ep-grid-filters-wrapper\" data-hash-settings=\"{&quot;id&quot;:&quot;#bdt-post-gallery-21f44ca&quot;,&quot;activeHash&quot;:&quot;yes&quot;,&quot;hashTopOffset&quot;:70,&quot;hashScrollspyTime&quot;:1000}\">\n\n\t\t\t<button class=\"bdt-button bdt-button-default bdt-hidden@m\" type=\"button\">\n\t\t\t\t\t\t\t\t\tCategories\t\t\t\t\t\t\t<\/button>\n\n\t\t\t<div data-bdt-dropdown=\"mode: click;\" class=\"bdt-dropdown bdt-margin-remove-top bdt-margin-remove-bottom bdt-drop\">\n\t\t\t\t<ul class=\"bdt-nav bdt-dropdown-nav\">\n\n\t\t\t\t\t\t\t\t\t\t\t<li class=\"bdt-active bdt-ep-grid-filter\">\n\t\t\t\t\t\t\t<a href=\"#\" class=\"bdt-option\" data-slug>\n\t\t\t\t\t\t\t\tAll\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<li class=\"bdt-ep-grid-filter\">\n\t\t\t\t\t\t\t<a href=\"#\" class=\"bdt-option\" data-slug=\"aesthetic-political-reflections-oc-26\">\n\t\t\t\t\t\t\t\tAesthetic-Political Reflections\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li class=\"bdt-ep-grid-filter\">\n\t\t\t\t\t\t\t<a href=\"#\" class=\"bdt-option\" data-slug=\"book-launch-oc-26\">\n\t\t\t\t\t\t\t\tBook Launch\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li class=\"bdt-ep-grid-filter\">\n\t\t\t\t\t\t\t<a href=\"#\" class=\"bdt-option\" data-slug=\"special-oc-26\">\n\t\t\t\t\t\t\t\tSpecial\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li class=\"bdt-ep-grid-filter\">\n\t\t\t\t\t\t\t<a href=\"#\" class=\"bdt-option\" data-slug=\"thought-in-process-oc-26\">\n\t\t\t\t\t\t\t\tThought-in-Process\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li class=\"bdt-ep-grid-filter\">\n\t\t\t\t\t\t\t<a href=\"#\" class=\"bdt-option\" data-slug=\"transversal-dialogues-oc-26\">\n\t\t\t\t\t\t\t\tTransversal Dialogues\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\n\t\t\t\t<\/ul>\n\t\t\t<\/div>\n\n\t\t\t<ul id=\"bdt-ep-grid-filters21f44ca\" class=\"bdt-ep-grid-filters bdt-visible@m\"\n\t\t\t\tdata-bdt-margin>\n\t\t\t\t<li class=\"bdt-ep-grid-filter bdt-active\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"javascript:void(0);\" class=\"bdt-option\" data-slug>\n\t\t\t\t\t\t\tAll\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/li>\n\n\t\t\t\t\t\t\t\t\t<li class=\"bdt-ep-grid-filter\">\n\t\t\t\t\t\t<a href=\"javascript:void(0);\" class=\"bdt-option\" data-slug=\"aesthetic-political-reflections-oc-26\">\n\t\t\t\t\t\t\tAesthetic-Political Reflections\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t<li class=\"bdt-ep-grid-filter\">\n\t\t\t\t\t\t<a href=\"javascript:void(0);\" class=\"bdt-option\" data-slug=\"book-launch-oc-26\">\n\t\t\t\t\t\t\tBook Launch\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t<li class=\"bdt-ep-grid-filter\">\n\t\t\t\t\t\t<a href=\"javascript:void(0);\" class=\"bdt-option\" data-slug=\"special-oc-26\">\n\t\t\t\t\t\t\tSpecial\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t<li class=\"bdt-ep-grid-filter\">\n\t\t\t\t\t\t<a href=\"javascript:void(0);\" class=\"bdt-option\" data-slug=\"thought-in-process-oc-26\">\n\t\t\t\t\t\t\tThought-in-Process\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\t<li class=\"bdt-ep-grid-filter\">\n\t\t\t\t\t\t<a href=\"javascript:void(0);\" class=\"bdt-option\" data-slug=\"transversal-dialogues-oc-26\">\n\t\t\t\t\t\t\tTransversal Dialogues\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t<\/ul>\n\t\t<\/div>\n\t\t\t\t\t<div id=\"bdt-post-gallery21f44ca\" class=\"bdt-post-gallery bdt-ep-grid-filter-container bdt-post-gallery-skin-trosia bdt-grid bdt-grid-medium\" data-bdt-grid=\"\" data-settings=\"{&quot;id&quot;:&quot;#bdt-post-gallery21f44ca&quot;,&quot;tilt_show&quot;:false,&quot;tilt_scale&quot;:false,&quot;taxonomy&quot;:&quot;category&quot;,&quot;post-type&quot;:&quot;post&quot;,&quot;order&quot;:&quot;desc&quot;,&quot;orderby&quot;:&quot;date&quot;,&quot;posts_per_page&quot;:20,&quot;posts_include_term_ids&quot;:[&quot;157&quot;,&quot;158&quot;,&quot;160&quot;,&quot;161&quot;,&quot;175&quot;],&quot;_skin&quot;:&quot;bdt-trosia&quot;,&quot;show_link&quot;:&quot;none&quot;,&quot;columns&quot;:&quot;3&quot;,&quot;columns_tablet&quot;:&quot;2&quot;,&quot;columns_mobile&quot;:&quot;1&quot;,&quot;show_title&quot;:&quot;yes&quot;,&quot;show_title_link&quot;:&quot;yes&quot;,&quot;title_tag&quot;:&quot;h4&quot;,&quot;show_image&quot;:&quot;no&quot;,&quot;show_date&quot;:&quot;no&quot;}\" bdt-scrollspy=\"cls: bdt-animation-fade; delay: 300; target: &gt; .bdt-gallery-item;\">\n\n\t\t\t\t\t\t<div class=\"bdt-gallery-item bdt-transition-toggle bdt-width-1-1 bdt-width-1-2@s bdt-width-1-3@m\" data-filter=\"2026 critical-perspectives-26 special-oc-26\">\n\t\t\t<div class=\"bdt-post-gallery-inner\" >\n\t\t\t\t\t\t<div class=\"bdt-gallery-thumbnail\">\n\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"768\" height=\"455\" src=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Thomas-Ostermeier-Edouard-Louis-e-Luis-Felipe-Reis-768x455.jpg\" class=\"attachment-medium_large size-medium_large\" alt=\"Dialogue Between Thomas Ostermeier and \u00c9douard Louis\" srcset=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Thomas-Ostermeier-Edouard-Louis-e-Luis-Felipe-Reis-768x455.jpg 768w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Thomas-Ostermeier-Edouard-Louis-e-Luis-Felipe-Reis-300x178.jpg 300w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Thomas-Ostermeier-Edouard-Louis-e-Luis-Felipe-Reis.jpg 980w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-right bdt-margin bdt-margin-right\">\n\t\t\t<div class=\"bdt-post-gallery-content\">\n\t\t\t\t<div class=\"bdt-gallery-content-inner bdt-transition-fade\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<div class=\"bdt-post-gallery-desc bdt-text-left bdt-position-z-index bdt-position-bottom\">\n\t\t\t\t\t\t\t<a class=\"bdt-post-gallery-title-link\" href=\"https:\/\/mitsp.org\/en\/2026\/dialogue-between-thomas-ostermeier-and-edouard-louis\/\" >\n\t\t\t<h4 class=\"bdt-gallery-item-title bdt-margin-remove\">\n\t\t\t\tDialogue Between Thomas Ostermeier and \u00c9douard Louis\t\t\t<\/h4>\n\t\t<\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-left\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"bdt-gallery-item bdt-transition-toggle bdt-width-1-1 bdt-width-1-2@s bdt-width-1-3@m\" data-filter=\"2026 critical-perspectives-26 special-oc-26\">\n\t\t\t<div class=\"bdt-post-gallery-inner\" >\n\t\t\t\t\t\t<div class=\"bdt-gallery-thumbnail bdt-gallery-thumbnail\">\n\t\t\t<img decoding=\"async\" width=\"768\" height=\"455\" src=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Edouard-Louis-Helena-Vieira-e-Renan-Quinalha-768x455.jpg\" class=\"attachment-medium_large size-medium_large\" alt=\"A Conversation with \u00c9douard Louis\" srcset=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Edouard-Louis-Helena-Vieira-e-Renan-Quinalha-768x455.jpg 768w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Edouard-Louis-Helena-Vieira-e-Renan-Quinalha-300x178.jpg 300w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Edouard-Louis-Helena-Vieira-e-Renan-Quinalha.jpg 980w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-right bdt-margin bdt-margin-right\">\n\t\t\t<div class=\"bdt-post-gallery-content\">\n\t\t\t\t<div class=\"bdt-gallery-content-inner bdt-transition-fade\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<div class=\"bdt-post-gallery-desc bdt-text-left bdt-position-z-index bdt-position-bottom\">\n\t\t\t\t\t\t\t<a class=\"bdt-post-gallery-title-link\" href=\"https:\/\/mitsp.org\/en\/2026\/a-conversation-with-edouard-louis\/\" >\n\t\t\t<h4 class=\"bdt-gallery-item-title bdt-margin-remove\">\n\t\t\t\tA Conversation with \u00c9douard Louis\t\t\t<\/h4>\n\t\t<\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-left\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"bdt-gallery-item bdt-transition-toggle bdt-width-1-1 bdt-width-1-2@s bdt-width-1-3@m\" data-filter=\"2026 critical-perspectives-26 special-oc-26\">\n\t\t\t<div class=\"bdt-post-gallery-inner\" >\n\t\t\t\t\t\t<div class=\"bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail\">\n\t\t\t<img decoding=\"async\" width=\"768\" height=\"455\" src=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Thomas-Ostermeier-768x455.jpg\" class=\"attachment-medium_large size-medium_large\" alt=\"Masterclass with Thomas Ostermeier\" srcset=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Thomas-Ostermeier-768x455.jpg 768w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Thomas-Ostermeier-300x178.jpg 300w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Thomas-Ostermeier.jpg 980w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-right bdt-margin bdt-margin-right\">\n\t\t\t<div class=\"bdt-post-gallery-content\">\n\t\t\t\t<div class=\"bdt-gallery-content-inner bdt-transition-fade\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<div class=\"bdt-post-gallery-desc bdt-text-left bdt-position-z-index bdt-position-bottom\">\n\t\t\t\t\t\t\t<a class=\"bdt-post-gallery-title-link\" href=\"https:\/\/mitsp.org\/en\/2026\/masterclass-with-thomas-ostermeier\/\" >\n\t\t\t<h4 class=\"bdt-gallery-item-title bdt-margin-remove\">\n\t\t\t\tMasterclass with Thomas Ostermeier\t\t\t<\/h4>\n\t\t<\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-left\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"bdt-gallery-item bdt-transition-toggle bdt-width-1-1 bdt-width-1-2@s bdt-width-1-3@m\" data-filter=\"2026 book-launch-oc-26 critical-perspectives-26\">\n\t\t\t<div class=\"bdt-post-gallery-inner\" >\n\t\t\t\t\t\t<div class=\"bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"471\" src=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/01\/logo-mitsp-11-768x471.jpg\" class=\"attachment-medium_large size-medium_large\" alt=\"Book Launch\" srcset=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/01\/logo-mitsp-11-768x471.jpg 768w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/01\/logo-mitsp-11-300x184.jpg 300w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/01\/logo-mitsp-11.jpg 800w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-right bdt-margin bdt-margin-right\">\n\t\t\t<div class=\"bdt-post-gallery-content\">\n\t\t\t\t<div class=\"bdt-gallery-content-inner bdt-transition-fade\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<div class=\"bdt-post-gallery-desc bdt-text-left bdt-position-z-index bdt-position-bottom\">\n\t\t\t\t\t\t\t<a class=\"bdt-post-gallery-title-link\" href=\"https:\/\/mitsp.org\/en\/2026\/book-launch\/\" >\n\t\t\t<h4 class=\"bdt-gallery-item-title bdt-margin-remove\">\n\t\t\t\tBook Launch\t\t\t<\/h4>\n\t\t<\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-left\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"bdt-gallery-item bdt-transition-toggle bdt-width-1-1 bdt-width-1-2@s bdt-width-1-3@m\" data-filter=\"2026 critical-perspectives-26 thought-in-process-oc-26\">\n\t\t\t<div class=\"bdt-post-gallery-inner\" >\n\t\t\t\t\t\t<div class=\"bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"455\" src=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Capa-PP-768x455.jpg\" class=\"attachment-medium_large size-medium_large\" alt=\"Thought-in-Process\" srcset=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Capa-PP-768x455.jpg 768w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Capa-PP-300x178.jpg 300w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Capa-PP.jpg 980w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-right bdt-margin bdt-margin-right\">\n\t\t\t<div class=\"bdt-post-gallery-content\">\n\t\t\t\t<div class=\"bdt-gallery-content-inner bdt-transition-fade\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<div class=\"bdt-post-gallery-desc bdt-text-left bdt-position-z-index bdt-position-bottom\">\n\t\t\t\t\t\t\t<a class=\"bdt-post-gallery-title-link\" href=\"https:\/\/mitsp.org\/en\/2026\/thought-in-process\/\" >\n\t\t\t<h4 class=\"bdt-gallery-item-title bdt-margin-remove\">\n\t\t\t\tThought-in-Process\t\t\t<\/h4>\n\t\t<\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-left\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"bdt-gallery-item bdt-transition-toggle bdt-width-1-1 bdt-width-1-2@s bdt-width-1-3@m\" data-filter=\"2026 critical-perspectives-26 transversal-dialogues-oc-26\">\n\t\t\t<div class=\"bdt-post-gallery-inner\" >\n\t\t\t\t\t\t<div class=\"bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"455\" src=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Dieudonne-Niangouna-e-Guilherme-Terreri-768x455.jpg\" class=\"attachment-medium_large size-medium_large\" alt=\"The Word at Risk: A Conversation with Dieudonn\u00e9 Niangouna\" srcset=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Dieudonne-Niangouna-e-Guilherme-Terreri-768x455.jpg 768w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Dieudonne-Niangouna-e-Guilherme-Terreri-300x178.jpg 300w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Dieudonne-Niangouna-e-Guilherme-Terreri.jpg 980w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-right bdt-margin bdt-margin-right\">\n\t\t\t<div class=\"bdt-post-gallery-content\">\n\t\t\t\t<div class=\"bdt-gallery-content-inner bdt-transition-fade\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<div class=\"bdt-post-gallery-desc bdt-text-left bdt-position-z-index bdt-position-bottom\">\n\t\t\t\t\t\t\t<a class=\"bdt-post-gallery-title-link\" href=\"https:\/\/mitsp.org\/en\/2026\/the-word-at-risk-a-conversation-with-dieudonne-niangouna\/\" >\n\t\t\t<h4 class=\"bdt-gallery-item-title bdt-margin-remove\">\n\t\t\t\tThe Word at Risk: A Conversation with Dieudonn\u00e9 Niangouna\t\t\t<\/h4>\n\t\t<\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-left\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"bdt-gallery-item bdt-transition-toggle bdt-width-1-1 bdt-width-1-2@s bdt-width-1-3@m\" data-filter=\"2026 critical-perspectives-26 transversal-dialogues-oc-26\">\n\t\t\t<div class=\"bdt-post-gallery-inner\" >\n\t\t\t\t\t\t<div class=\"bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"455\" src=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Alberto-Alvares-e-Aretha-Sadick-e-Heitor-Augusto-768x455.png\" class=\"attachment-medium_large size-medium_large\" alt=\"The Body on Stage and on Screen: Between Visibility and Capture\" srcset=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Alberto-Alvares-e-Aretha-Sadick-e-Heitor-Augusto-768x455.png 768w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Alberto-Alvares-e-Aretha-Sadick-e-Heitor-Augusto-300x178.png 300w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Alberto-Alvares-e-Aretha-Sadick-e-Heitor-Augusto.png 980w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-right bdt-margin bdt-margin-right\">\n\t\t\t<div class=\"bdt-post-gallery-content\">\n\t\t\t\t<div class=\"bdt-gallery-content-inner bdt-transition-fade\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<div class=\"bdt-post-gallery-desc bdt-text-left bdt-position-z-index bdt-position-bottom\">\n\t\t\t\t\t\t\t<a class=\"bdt-post-gallery-title-link\" href=\"https:\/\/mitsp.org\/en\/2026\/the-body-on-stage-and-on-screen-between-visibility-and-capture\/\" >\n\t\t\t<h4 class=\"bdt-gallery-item-title bdt-margin-remove\">\n\t\t\t\tThe Body on Stage and on Screen: Between Visibility and Capture\t\t\t<\/h4>\n\t\t<\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-left\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"bdt-gallery-item bdt-transition-toggle bdt-width-1-1 bdt-width-1-2@s bdt-width-1-3@m\" data-filter=\"2026 critical-perspectives-26 transversal-dialogues-oc-26\">\n\t\t\t<div class=\"bdt-post-gallery-inner\" >\n\t\t\t\t\t\t<div class=\"bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"455\" src=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Yumo-Apurina-Erica-de-Freitas-e-Helena-Vieira-768x455.jpg\" class=\"attachment-medium_large size-medium_large\" alt=\"Who Tells, How They Tell It: Theater and Cinema Beyond the Frame\" srcset=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Yumo-Apurina-Erica-de-Freitas-e-Helena-Vieira-768x455.jpg 768w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Yumo-Apurina-Erica-de-Freitas-e-Helena-Vieira-300x178.jpg 300w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Yumo-Apurina-Erica-de-Freitas-e-Helena-Vieira.jpg 980w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-right bdt-margin bdt-margin-right\">\n\t\t\t<div class=\"bdt-post-gallery-content\">\n\t\t\t\t<div class=\"bdt-gallery-content-inner bdt-transition-fade\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<div class=\"bdt-post-gallery-desc bdt-text-left bdt-position-z-index bdt-position-bottom\">\n\t\t\t\t\t\t\t<a class=\"bdt-post-gallery-title-link\" href=\"https:\/\/mitsp.org\/en\/2026\/who-tells-how-they-tell-it-theater-and-cinema-beyond-the-frame\/\" >\n\t\t\t<h4 class=\"bdt-gallery-item-title bdt-margin-remove\">\n\t\t\t\tWho Tells, How They Tell It: Theater and Cinema Beyond the Frame\t\t\t<\/h4>\n\t\t<\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-left\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"bdt-gallery-item bdt-transition-toggle bdt-width-1-1 bdt-width-1-2@s bdt-width-1-3@m\" data-filter=\"2026 critical-perspectives-26 transversal-dialogues-oc-26\">\n\t\t\t<div class=\"bdt-post-gallery-inner\" >\n\t\t\t\t\t\t<div class=\"bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"455\" src=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Lilly-Baniwa-Rafael-Bacelar-e-Tetembua-Dandara--768x455.png\" class=\"attachment-medium_large size-medium_large\" alt=\"When the Work Changes the Space: Image, Presence, and Intervention\" srcset=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Lilly-Baniwa-Rafael-Bacelar-e-Tetembua-Dandara--768x455.png 768w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Lilly-Baniwa-Rafael-Bacelar-e-Tetembua-Dandara--300x178.png 300w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Lilly-Baniwa-Rafael-Bacelar-e-Tetembua-Dandara-.png 980w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-right bdt-margin bdt-margin-right\">\n\t\t\t<div class=\"bdt-post-gallery-content\">\n\t\t\t\t<div class=\"bdt-gallery-content-inner bdt-transition-fade\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<div class=\"bdt-post-gallery-desc bdt-text-left bdt-position-z-index bdt-position-bottom\">\n\t\t\t\t\t\t\t<a class=\"bdt-post-gallery-title-link\" href=\"https:\/\/mitsp.org\/en\/2026\/when-the-work-changes-the-space-image-presence-and-intervention\/\" >\n\t\t\t<h4 class=\"bdt-gallery-item-title bdt-margin-remove\">\n\t\t\t\tWhen the Work Changes the Space: Image, Presence, and Intervention\t\t\t<\/h4>\n\t\t<\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-left\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"bdt-gallery-item bdt-transition-toggle bdt-width-1-1 bdt-width-1-2@s bdt-width-1-3@m\" data-filter=\"2026 aesthetic-political-reflections-oc-26 critical-perspectives-26\">\n\t\t\t<div class=\"bdt-post-gallery-inner\" >\n\t\t\t\t\t\t<div class=\"bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"455\" src=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Maria-Isabel-Iorio-Silvia-Gomez-e-Lucas-Moura-768x455.jpg\" class=\"attachment-medium_large size-medium_large\" alt=\"Contemporary Dramaturgies: Memory, Version, and the Limits of Representing Violence\" srcset=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Maria-Isabel-Iorio-Silvia-Gomez-e-Lucas-Moura-768x455.jpg 768w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Maria-Isabel-Iorio-Silvia-Gomez-e-Lucas-Moura-300x178.jpg 300w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Maria-Isabel-Iorio-Silvia-Gomez-e-Lucas-Moura.jpg 980w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-right bdt-margin bdt-margin-right\">\n\t\t\t<div class=\"bdt-post-gallery-content\">\n\t\t\t\t<div class=\"bdt-gallery-content-inner bdt-transition-fade\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<div class=\"bdt-post-gallery-desc bdt-text-left bdt-position-z-index bdt-position-bottom\">\n\t\t\t\t\t\t\t<a class=\"bdt-post-gallery-title-link\" href=\"https:\/\/mitsp.org\/en\/2026\/contemporary-dramaturgies-memory-version-and-the-limits-of-representing-violence\/\" >\n\t\t\t<h4 class=\"bdt-gallery-item-title bdt-margin-remove\">\n\t\t\t\tContemporary Dramaturgies: Memory, Version, and the Limits of Representing Violence\t\t\t<\/h4>\n\t\t<\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-left\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"bdt-gallery-item bdt-transition-toggle bdt-width-1-1 bdt-width-1-2@s bdt-width-1-3@m\" data-filter=\"2026 aesthetic-political-reflections-oc-26 critical-perspectives-26\">\n\t\t\t<div class=\"bdt-post-gallery-inner\" >\n\t\t\t\t\t\t<div class=\"bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"455\" src=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Julian-Boal-Roberta-Estrela-D\u00b4Alva-e-Lucas-Miyazaki--768x455.jpg\" class=\"attachment-medium_large size-medium_large\" alt=\"Word in Action: Slam, Participation, and Political Theater Today\" srcset=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Julian-Boal-Roberta-Estrela-D\u00b4Alva-e-Lucas-Miyazaki--768x455.jpg 768w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Julian-Boal-Roberta-Estrela-D\u00b4Alva-e-Lucas-Miyazaki--300x178.jpg 300w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Julian-Boal-Roberta-Estrela-D\u00b4Alva-e-Lucas-Miyazaki-.jpg 980w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-right bdt-margin bdt-margin-right\">\n\t\t\t<div class=\"bdt-post-gallery-content\">\n\t\t\t\t<div class=\"bdt-gallery-content-inner bdt-transition-fade\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<div class=\"bdt-post-gallery-desc bdt-text-left bdt-position-z-index bdt-position-bottom\">\n\t\t\t\t\t\t\t<a class=\"bdt-post-gallery-title-link\" href=\"https:\/\/mitsp.org\/en\/2026\/word-in-action-slam-participation-and-political-theater-today\/\" >\n\t\t\t<h4 class=\"bdt-gallery-item-title bdt-margin-remove\">\n\t\t\t\tWord in Action: Slam, Participation, and Political Theater Today\t\t\t<\/h4>\n\t\t<\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-left\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"bdt-gallery-item bdt-transition-toggle bdt-width-1-1 bdt-width-1-2@s bdt-width-1-3@m\" data-filter=\"2026 aesthetic-political-reflections-oc-26 critical-perspectives-26\">\n\t\t\t<div class=\"bdt-post-gallery-inner\" >\n\t\t\t\t\t\t<div class=\"bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"455\" src=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Gizelly-de-Paula-Eugenio-Lima-e-William-Santana-768x455.jpg\" class=\"attachment-medium_large size-medium_large\" alt=\"Black Experimental Theater: Memory, Transmission, Permanence\" srcset=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Gizelly-de-Paula-Eugenio-Lima-e-William-Santana-768x455.jpg 768w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Gizelly-de-Paula-Eugenio-Lima-e-William-Santana-300x178.jpg 300w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Gizelly-de-Paula-Eugenio-Lima-e-William-Santana.jpg 980w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-right bdt-margin bdt-margin-right\">\n\t\t\t<div class=\"bdt-post-gallery-content\">\n\t\t\t\t<div class=\"bdt-gallery-content-inner bdt-transition-fade\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<div class=\"bdt-post-gallery-desc bdt-text-left bdt-position-z-index bdt-position-bottom\">\n\t\t\t\t\t\t\t<a class=\"bdt-post-gallery-title-link\" href=\"https:\/\/mitsp.org\/en\/2026\/black-experimental-theater-memory-transmission-permanence\/\" >\n\t\t\t<h4 class=\"bdt-gallery-item-title bdt-margin-remove\">\n\t\t\t\tBlack Experimental Theater: Memory, Transmission, Permanence\t\t\t<\/h4>\n\t\t<\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-left\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"bdt-gallery-item bdt-transition-toggle bdt-width-1-1 bdt-width-1-2@s bdt-width-1-3@m\" data-filter=\"2026 aesthetic-political-reflections-oc-26 critical-perspectives-26\">\n\t\t\t<div class=\"bdt-post-gallery-inner\" >\n\t\t\t\t\t\t<div class=\"bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail bdt-gallery-thumbnail\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"455\" src=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Renata-Tavares-Janaina-Leite-e-Naloana-Lima--768x455.jpg\" class=\"attachment-medium_large size-medium_large\" alt=\"Scene, Memory, and Retelling the Irreparable\" srcset=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Renata-Tavares-Janaina-Leite-e-Naloana-Lima--768x455.jpg 768w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Renata-Tavares-Janaina-Leite-e-Naloana-Lima--300x178.jpg 300w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Renata-Tavares-Janaina-Leite-e-Naloana-Lima-.jpg 980w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-right bdt-margin bdt-margin-right\">\n\t\t\t<div class=\"bdt-post-gallery-content\">\n\t\t\t\t<div class=\"bdt-gallery-content-inner bdt-transition-fade\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<div class=\"bdt-post-gallery-desc bdt-text-left bdt-position-z-index bdt-position-bottom\">\n\t\t\t\t\t\t\t<a class=\"bdt-post-gallery-title-link\" href=\"https:\/\/mitsp.org\/en\/2026\/scene-memory-and-retelling-the-irreparable\/\" >\n\t\t\t<h4 class=\"bdt-gallery-item-title bdt-margin-remove\">\n\t\t\t\tScene, Memory, and Retelling the Irreparable\t\t\t<\/h4>\n\t\t<\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"bdt-position-top-left\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Critical Perspectives MITsp\u2019s reflective axis investigates theater as a public form of thought: not \u201cthemes,\u201d but procedures \u2014 how one writes, how presence is composed, how a story circulates when language itself is also a field of dispute. The program brings together traditions and inventions, embraces cross-disciplinary dialogue, and understands criticism as a practice \u2014 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":10407,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[164,186],"tags":[],"class_list":["post-13359","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-164","category-content-26"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Critical Perspectives - MITsp - Mostra Internacional de Teatro de S\u00e3o Paulo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mitsp.org\/2026\/olhares-criticos-2026\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Critical Perspectives\" \/>\n<meta property=\"og:description\" content=\"Critical Perspectives MITsp\u2019s reflective axis investigates theater as a public form of thought: not \u201cthemes,\u201d but procedures \u2014 how one writes, how presence is composed, how a story circulates when language itself is also a field of dispute. 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