{"id":13324,"date":"2026-02-10T10:16:41","date_gmt":"2026-02-10T13:16:41","guid":{"rendered":"https:\/\/mitsp.org\/2026\/when-the-work-changes-the-space-image-presence-and-intervention\/"},"modified":"2026-03-01T19:05:58","modified_gmt":"2026-03-01T22:05:58","slug":"when-the-work-changes-the-space-image-presence-and-intervention","status":"publish","type":"post","link":"https:\/\/mitsp.org\/en\/2026\/when-the-work-changes-the-space-image-presence-and-intervention\/","title":{"rendered":"When the Work Changes the Space: Image, Presence, and Intervention"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"13324\" class=\"elementor elementor-13324 elementor-12406\" 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data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3493faa6 e-flex e-con-boxed e-con e-parent\" data-id=\"3493faa6\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-5b7033d elementor-widget elementor-widget-image\" data-id=\"5b7033d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"980\" height=\"580\" src=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Lilly-Baniwa-Rafael-Bacelar-e-Tetembua-Dandara-.png\" class=\"attachment-full size-full wp-image-12413\" alt=\"\" srcset=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Lilly-Baniwa-Rafael-Bacelar-e-Tetembua-Dandara-.png 980w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Lilly-Baniwa-Rafael-Bacelar-e-Tetembua-Dandara--300x178.png 300w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Lilly-Baniwa-Rafael-Bacelar-e-Tetembua-Dandara--768x455.png 768w\" sizes=\"(max-width: 980px) 100vw, 980px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\"><\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-458ba651 e-flex e-con-boxed e-con e-parent\" data-id=\"458ba651\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-4c1fa112 elementor-widget elementor-widget-heading\" data-id=\"4c1fa112\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Critical Perspectives<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4914b97c elementor-widget elementor-widget-heading\" data-id=\"4914b97c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Transversal Dialogues<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-17640a39 e-flex e-con-boxed e-con e-parent\" data-id=\"17640a39\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-73c88d21 elementor-widget elementor-widget-heading\" data-id=\"73c88d21\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">When the Work Changes the Space: Image, Presence, and Intervention<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-105bed65 elementor-widget elementor-widget-text-editor\" data-id=\"105bed65\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>WITH<\/strong> Lilly Baniwa and Rafael Bacelar<\/p>\n<p><strong>MODERATED BY<\/strong> Tetembua Dandara<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-50edcc3c elementor-align-start elementor-icon-list--layout-traditional elementor-list-item-link-full_width elementor-widget elementor-widget-icon-list\" data-id=\"50edcc3c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"icon-list.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-icon-list-items\">\n\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-clock\"><\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">March 9, Monday, 4pm\u20136pm<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-map-marker-alt\"><\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">iBT \u2013 Brazilian Institute of Theater | 1st Floor<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-sign-language\"><\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">The event will feature Brazilian Sign Language (Libras) interpretation<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-arrow-right\"><\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">Free | Ticket reservation via Sympla<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-135207ad elementor-align-left elementor-mobile-align-center elementor-widget elementor-widget-button\" data-id=\"135207ad\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm elementor-animation-pop\" href=\"https:\/\/mitsp.org\/2026\/ingressos-2026\/\" target=\"_blank\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">Tickets<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3f5f84d7 elementor-widget elementor-widget-text-editor\" data-id=\"3f5f84d7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<section data-id=\"68b40213\" data-element_type=\"section\">\n<div data-id=\"38da9354\" data-element_type=\"column\">\n<div data-id=\"ef30516\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n<h3><strong>SYNOPSIS<\/strong><\/h3>\n<p>Lilly Baniwa and Rafael Bacelar discuss creation as intervention: when the work does not \u201crepresent\u201d a theme but alters the space and repositions the viewer. Drawing from procedures in visual arts and performance, the conversation brings together image, body, and gesture to examine how symbols are displaced, how presence produces meaning, and how a work can \u201chack\u201d the way we see without turning into explanation or illustration.<\/p>\n<\/div>\n<\/div>\n<\/section>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-da49aed elementor-widget elementor-widget-text-editor\" data-id=\"da49aed\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h3><strong>BACKGROUND<\/strong><\/h3>\n<p><strong>Lilly Baniwa<\/strong> is an actress, performer, and master\u2019s candidate in Performance Studies at Unicamp, researching contemporary Indigenous theater. She holds a BA in Performing Arts from Unicamp. An Indigenous artist from the Baniwa people, she articulates body, memory, and territory, understanding the body as a living archive. Her work crosses performance, visual arts, and authorial creation, and has been presented at festivals and residencies in Brazil and abroad.<\/p>\n<p><strong>Rafael Bacelar<\/strong> is an actor, director, and performer trained at UFMG. His work has toured throughout Brazil and internationally. In 2025, he was nominated for the country\u2019s major acting awards (Shell, APTR, Bibi Ferreira, and APCA).<\/p>\n<p><strong>Tetembua Dandara<\/strong> is a performer, cultural producer, and photographer. She holds a BA in Performing Arts from Unicamp and a specialization in Contemporary Cultural Management from Instituto Singularidades and Ita\u00fa Cultural. She works in theater and contemporary dance and is dedicated to horizontal production formats. She collaborates with the collectives ciadasatrizes, Cia LCT, P\u00e9rfida Iguana, and Grupo do Trecho. With Dirce Poli, Neuza Poli, and Mafoane Odara, she created the photobook and performance <em>I<\/em> <em>Have a Story That Resembles Mine<\/em>.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Critical Perspectives Transversal Dialogues When the Work Changes the Space: Image, Presence, and Intervention WITH Lilly Baniwa and Rafael Bacelar MODERATED BY Tetembua Dandara March 9, Monday, 4pm\u20136pm iBT \u2013 Brazilian Institute of Theater | 1st Floor The event will feature Brazilian Sign Language (Libras) interpretation Free | Ticket reservation via Sympla Tickets SYNOPSIS Lilly [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":12413,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[164,176,178],"tags":[],"class_list":["post-13324","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-164","category-critical-perspectives-26","category-transversal-dialogues-oc-26"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - 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