{"id":13322,"date":"2026-02-10T10:05:11","date_gmt":"2026-02-10T13:05:11","guid":{"rendered":"https:\/\/mitsp.org\/2026\/contemporary-dramaturgies-memory-version-and-the-limits-of-representing-violence\/"},"modified":"2026-03-01T19:06:02","modified_gmt":"2026-03-01T22:06:02","slug":"contemporary-dramaturgies-memory-version-and-the-limits-of-representing-violence","status":"publish","type":"post","link":"https:\/\/mitsp.org\/en\/2026\/contemporary-dramaturgies-memory-version-and-the-limits-of-representing-violence\/","title":{"rendered":"Contemporary Dramaturgies: Memory, Version, and the Limits of Representing Violence"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"13322\" class=\"elementor elementor-13322 elementor-12394\" 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data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7d738952 e-flex e-con-boxed e-con e-parent\" data-id=\"7d738952\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6dbd1f11 elementor-widget elementor-widget-image\" data-id=\"6dbd1f11\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"980\" height=\"580\" src=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Maria-Isabel-Iorio-Silvia-Gomez-e-Lucas-Moura.jpg\" class=\"attachment-full size-full wp-image-12401\" alt=\"\" srcset=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Maria-Isabel-Iorio-Silvia-Gomez-e-Lucas-Moura.jpg 980w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Maria-Isabel-Iorio-Silvia-Gomez-e-Lucas-Moura-300x178.jpg 300w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Maria-Isabel-Iorio-Silvia-Gomez-e-Lucas-Moura-768x455.jpg 768w\" sizes=\"(max-width: 980px) 100vw, 980px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\"><\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-15eb5eba e-flex e-con-boxed e-con e-parent\" data-id=\"15eb5eba\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-585b8844 elementor-widget elementor-widget-heading\" data-id=\"585b8844\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Critical Perspectives<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5152b5dd elementor-widget elementor-widget-heading\" data-id=\"5152b5dd\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Aesthetic-Political Reflections<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-3c88d5c9 e-flex e-con-boxed e-con e-parent\" data-id=\"3c88d5c9\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-345ec661 elementor-widget elementor-widget-heading\" data-id=\"345ec661\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Contemporary Dramaturgies: Memory, Version, and the Limits of Representing Violence<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6df91f48 elementor-widget elementor-widget-text-editor\" data-id=\"6df91f48\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>WITH<\/strong> Maria Isabel Iorio and S\u00edlvia Gomez<\/p>\n<p><strong>MODERATED BY<\/strong> Lucas Moura<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6908e6e3 elementor-align-start elementor-icon-list--layout-traditional elementor-list-item-link-full_width elementor-widget elementor-widget-icon-list\" data-id=\"6908e6e3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"icon-list.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-icon-list-items\">\n\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-clock\"><\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">March 14, Saturday, 4pm\u20136pm<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-map-marker-alt\"><\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">iBT \u2013 Brazilian Institute of Theater | Pra\u00e7a Stage<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-sign-language\"><\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">The event will feature Brazilian Sign Language (Libras) interpretation<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-arrow-right\"><\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">Free | Ticket reservation via Sympla<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4622d7de elementor-align-left elementor-mobile-align-center elementor-widget elementor-widget-button\" data-id=\"4622d7de\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm elementor-animation-pop\" href=\"https:\/\/mitsp.org\/2026\/ingressos-2026\/\" target=\"_blank\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">Tickets<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-54f813d4 elementor-widget elementor-widget-text-editor\" data-id=\"54f813d4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<section data-id=\"68b40213\" data-element_type=\"section\">\n<div data-id=\"38da9354\" data-element_type=\"column\">\n<div data-id=\"ef30516\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n<h3><strong>SYNOPSIS<\/strong><\/h3>\n<p>Maria Isabel Iorio and S\u00edlvia Gomez discuss contemporary dramaturgies that approach memory not as nostalgia, but as a writing method: what is remembered, what is invented, what is repressed, what becomes a public version. The conversation is structured around decisions of writing, voice, point of view, structure, and stage time.<\/p>\n<p>The panel examines how performance retells stories without pacifying conflict or closing off meaning, especially when the material touches on violence, loss, and inequality. Between character construction, narrative rhythm, and the choice of what remains outside the frame, the discussion confronts a central challenge: how to narrate without capturing, suggest without over-explaining, and enable theater to sustain what language itself cannot repair.<\/p>\n<\/div>\n<\/div>\n<\/section>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fd83e1d elementor-widget elementor-widget-text-editor\" data-id=\"fd83e1d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h3><strong>BACKGROUND<\/strong><\/h3>\n<p><span style=\"font-weight: 400;\">\u200b\u200b\u200b\u200b<\/span><\/p>\n<p><strong>Maria Isabel Iorio<\/strong> is a poet, writer, and screenwriter. She has published <em>Tubar\u00e3o<\/em> (Diadorim, 2024), <em>N\u00e3o Pisar Descal\u00e7a em Tapete<\/em> (7Letras, 2022), <em>Dia Sim Dia N\u00e3o Fazer Chantagem<\/em> (Quel\u00f4nio, 2021), and <em>Aos Outros S\u00f3 Atiro o Meu Corpo<\/em> (Urutau, 2019). As a screenwriter, she worked on the series Trememb\u00e9 (Prime Video) and the documentary <em>Se Eu Botar o Skate na Cabe\u00e7a Eu Viro o Ch\u00e3o<\/em>, the music video <em>Insista em Mim<\/em> by Ana Frango El\u00e9trico, and as assistant writer on <em>Amar \u00c9 para os Fortes<\/em> (Prime Video). Her recent projects include the performance version of Tubar\u00e3o, with Barulhista and Dadado de Freitas; directing the performance of <em>Mrs. Dalloway<\/em>, featuring Linn da Quebrada, Dand\u00e1 Costa, and Juliana Perdig\u00e3o; and composing and performing <em>Voc\u00ea Vai Perguntar Quem Eu Sou,<\/em> a track on Mahmundi\u2019s album.<\/p>\n<p><strong>S\u00edlvia Gomez<\/strong> is a playwright, screenwriter, and journalist. She holds a master\u2019s degree in Arts from ECA\/USP and is the author of plays such as <em>O C\u00e9u Cinco Minutos Antes da Tempestade<\/em>, <em>Keep Out of Reach of Baby<\/em>, and <em>Lady Tempestade<\/em>. Her works have been translated into German, Spanish, French, English, Italian, Mandarin, and Swedish, and staged or read in countries including Argentina, Bolivia, Colombia, Scotland, Spain, England, Mexico, and Portugal.<\/p>\n<p><strong>Lucas Moura<\/strong> holds a degree in Dramaturgy from SP Escola de Teatro. He taught dramaturgy at F\u00e1bricas de Cultura (2019\u20132022) and at SP Escola de Teatro (2023\u20132024). He is the author of plays such as <em>Desfazenda<\/em>, nominated for the Shell Award for Playwriting and winner of the APCA Award for Best Production; <em>Jogo de Imaginar<\/em>, winner of the APCA Award for Direction; and <em>Magn\u00f3lia<\/em>, nominated for the Shell Award for Musical Direction. He currently teaches dramaturgy at Escola Livre de Teatro and wrote the book for the musical <em>Jeca \u2013 Um Povo Ainda H\u00e1 de Vingar<\/em>.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Critical Perspectives Aesthetic-Political Reflections Contemporary Dramaturgies: Memory, Version, and the Limits of Representing Violence WITH Maria Isabel Iorio and S\u00edlvia Gomez MODERATED BY Lucas Moura March 14, Saturday, 4pm\u20136pm iBT \u2013 Brazilian Institute of Theater | Pra\u00e7a Stage The event will feature Brazilian Sign Language (Libras) interpretation Free | Ticket reservation via Sympla Tickets SYNOPSIS [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":12401,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[164,177,176],"tags":[],"class_list":["post-13322","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-164","category-aesthetic-political-reflections-oc-26","category-critical-perspectives-26"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - 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