{"id":13316,"date":"2026-02-09T21:11:16","date_gmt":"2026-02-10T00:11:16","guid":{"rendered":"https:\/\/mitsp.org\/2026\/scene-memory-and-retelling-the-irreparable\/"},"modified":"2026-03-01T19:07:08","modified_gmt":"2026-03-01T22:07:08","slug":"scene-memory-and-retelling-the-irreparable","status":"publish","type":"post","link":"https:\/\/mitsp.org\/en\/2026\/scene-memory-and-retelling-the-irreparable\/","title":{"rendered":"Scene, Memory, and Retelling the Irreparable"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"13316\" class=\"elementor elementor-13316 elementor-12041\" 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data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-55bb3b54 e-flex e-con-boxed e-con e-parent\" data-id=\"55bb3b54\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-77b85969 elementor-widget elementor-widget-image\" data-id=\"77b85969\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"980\" height=\"580\" src=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Renata-Tavares-Janaina-Leite-e-Naloana-Lima-.jpg\" class=\"attachment-full size-full wp-image-12353\" alt=\"\" srcset=\"https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Renata-Tavares-Janaina-Leite-e-Naloana-Lima-.jpg 980w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Renata-Tavares-Janaina-Leite-e-Naloana-Lima--300x178.jpg 300w, https:\/\/mitsp.org\/wp-content\/uploads\/2026\/02\/Renata-Tavares-Janaina-Leite-e-Naloana-Lima--768x455.jpg 768w\" sizes=\"(max-width: 980px) 100vw, 980px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\"><\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-69115c8d e-flex e-con-boxed e-con e-parent\" data-id=\"69115c8d\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-5aca6d27 elementor-widget elementor-widget-heading\" data-id=\"5aca6d27\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Critical Perspectives<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-56f7ac50 elementor-widget elementor-widget-heading\" data-id=\"56f7ac50\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Aesthetic-Political Reflections<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-769481d3 e-flex e-con-boxed e-con e-parent\" data-id=\"769481d3\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6cf2c2a0 elementor-widget elementor-widget-heading\" data-id=\"6cf2c2a0\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Scene, Memory, and Retelling the Irreparable<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-33c5553c elementor-widget elementor-widget-text-editor\" data-id=\"33c5553c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>WITH<\/strong> Renata Tavares and Jana\u00edna Leite<\/p>\n<p><strong>MODERATED<\/strong> <strong>BY<\/strong> Naloana Lima<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-541e9be5 elementor-align-start elementor-icon-list--layout-traditional elementor-list-item-link-full_width elementor-widget elementor-widget-icon-list\" data-id=\"541e9be5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"icon-list.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-icon-list-items\">\n\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-clock\"><\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">March 7, Saturday, 4pm\u20136pm<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-map-marker-alt\"><\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">iBT \u2013 Brazilian Institute of Theater | Pra\u00e7a Stage<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-sign-language\"><\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">The event will feature Brazilian Sign Language (Libras) interpretation<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-arrow-right\"><\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">Free | Ticket reservation via Sympla<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2f93420b elementor-align-left elementor-mobile-align-center elementor-widget elementor-widget-button\" data-id=\"2f93420b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm elementor-animation-pop\" href=\"https:\/\/mitsp.org\/2026\/ingressos-2026\/\" target=\"_blank\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">Tickets<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-54f8c62d elementor-widget elementor-widget-text-editor\" data-id=\"54f8c62d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<section data-id=\"68b40213\" data-element_type=\"section\">\n<div data-id=\"38da9354\" data-element_type=\"column\">\n<div data-id=\"ef30516\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n<h3><strong>SYNOPSIS<\/strong><\/h3>\n<p>Renata Tavares and Jana\u00edna Leite come together to reflect on theater\u2019s capacity to retell stories not as illustrations of the past, but as reorganizations of memory in the present. The discussion examines how performance constructs versions, activates intimate and collective archives, and transforms remembrance into shared experience. At the heart of the conversation lies a difficult question: how can violence be represented without producing further violence or turning pain into consumption? The dialogue addresses choices of language and address: what the stage exposes, what it protects, what it returns to the audience as a responsibility of listening, and where the ethical limits of retelling begin.<\/p>\n<\/div>\n<\/div>\n<\/section>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-62626752 elementor-widget elementor-widget-text-editor\" data-id=\"62626752\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h3><strong>BACKGROUND<\/strong><\/h3>\n<p><strong>Renata Tavares<\/strong> is a stage director and multidisciplinary artist awarded the Shell and APTR prizes for Best Direction. With 26 years of experience, she trained at UNIRIO and ETET Martins Penna. A Black woman from Bangu, her multidisciplinary poetics merge acting, musical direction, and dramaturgy in works such as <em>Nem Todo Filho Vinga<\/em> and Das Dores \u2013 Opereta Favelada. A reference in arts education and cast preparation, she teaches at Entre Lugares Mar\u00e9, reaffirming the stage as a space of resistance and formation.<\/p>\n<p><strong>Jana\u00edna Leite<\/strong> is an actress, director, playwright, and postdoctoral researcher at ECA\/USP. In works such as <em>Stabat Mater<\/em>, Camming: <em>101 Nights, and Story of the<\/em> <em>Eye<\/em>, she investigates the relationship between theater, pornography, and hybrid languages from the perspective of the \u201cob-scene.\u201d She has developed projects exploring digital performance and virtual reality, including <em>Deeper and The Material<\/em> and <em>Immaterial Body in Its Borderlines<\/em>, presented in Brazil, Chile, and Portugal. She works internationally and is currently developing <em>The Black Box<\/em> or <em>How to Hide the Turtle<\/em>.<\/p>\n<p><strong>Naloana Lima<\/strong> is a theater and film actress, singer, composer, theater director, and arts educator. She holds a master\u2019s degree in Humanities, Rights, and Other Legitimacies from USP. Cofounder of Grupo Clari\u00f4 de Teatro and the musical group Clarianas, she has worked for over 20 years in S\u00e3o Paulo\u2019s periphery, articulating theater, music, and education through decolonial and Afro-Amerindian perspectives, with award-winning work in theater, music, and audiovisual both in Brazil and abroad.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Critical Perspectives Aesthetic-Political Reflections Scene, Memory, and Retelling the Irreparable WITH Renata Tavares and Jana\u00edna Leite MODERATED BY Naloana Lima March 7, Saturday, 4pm\u20136pm iBT \u2013 Brazilian Institute of Theater | Pra\u00e7a Stage The event will feature Brazilian Sign Language (Libras) interpretation Free | Ticket reservation via Sympla Tickets SYNOPSIS Renata Tavares and Jana\u00edna Leite [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":12353,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[164,177,176],"tags":[],"class_list":["post-13316","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-164","category-aesthetic-political-reflections-oc-26","category-critical-perspectives-26"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - 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