{"id":9287,"date":"2020-03-05T15:12:28","date_gmt":"2020-03-05T18:12:28","guid":{"rendered":"https:\/\/mitsp.org\/2020\/?p=9287"},"modified":"2020-03-06T10:29:49","modified_gmt":"2020-03-06T13:29:49","slug":"rhythmic-cracks","status":"publish","type":"post","link":"https:\/\/mitsp.org\/2020\/en\/rhythmic-cracks\/","title":{"rendered":"Rhythmic Cracks"},"content":{"rendered":"<h6>Artistic Residence<\/h6>\n<h3>RHYTHMIC CRACKS<\/h3>\n<p><span style=\"font-weight: 400;\"><strong><img class=\"alignright wp-image-9101 size-fusion-400\" title=\"Lowri Evans e Emily Beaney_@Alicia Esteves\" src=\"https:\/\/mitsp.org\/2020\/wp-content\/uploads\/2020\/03\/Lowri-Evans-Emily-Beaney-400x266.jpg\" alt=\"Lowri Evans e Emily Beaney_@Alicia Esteves\" width=\"400\" height=\"266\" srcset=\"https:\/\/mitsp.org\/2020\/wp-content\/uploads\/2020\/03\/Lowri-Evans-Emily-Beaney-200x133.jpg 200w, https:\/\/mitsp.org\/2020\/wp-content\/uploads\/2020\/03\/Lowri-Evans-Emily-Beaney-300x200.jpg 300w, https:\/\/mitsp.org\/2020\/wp-content\/uploads\/2020\/03\/Lowri-Evans-Emily-Beaney-400x266.jpg 400w, https:\/\/mitsp.org\/2020\/wp-content\/uploads\/2020\/03\/Lowri-Evans-Emily-Beaney-600x400.jpg 600w, https:\/\/mitsp.org\/2020\/wp-content\/uploads\/2020\/03\/Lowri-Evans-Emily-Beaney-768x511.jpg 768w, https:\/\/mitsp.org\/2020\/wp-content\/uploads\/2020\/03\/Lowri-Evans-Emily-Beaney-800x533.jpg 800w, https:\/\/mitsp.org\/2020\/wp-content\/uploads\/2020\/03\/Lowri-Evans-Emily-Beaney.jpg 1000w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/>WITH <\/strong>Emily Beaney and Lowri Evans<br \/>\n<\/span><\/p>\n<p>Information on<strong> <a href=\"https:\/\/mitsp.org\/2020\/\">mitsp.org\u00a0\u00a0\u00a0<\/a>\u00a0\u00a0<\/strong><\/p>\n<p>Inspired by the book <em>Invisible Woman<\/em>, by Caroline Criado-Perez, the experimental residency, promoted by British Council alongside Creative Scotland, unites female artists from the UK and Brazil in a creative workshop. Exploring ideas about the gender data gap and how data bias\/dis-functional gendered rhythms affect the lives of performers, we will make wearable sculptures, rhythmic movement sequences and improvised performances.<\/p>\n<h4><img class=\"size-full wp-image-7991 alignleft\" src=\"https:\/\/mitsp.org\/2020\/wp-content\/uploads\/2020\/02\/divider-especiais.jpg\" alt=\"\" width=\"300\" height=\"8\" srcset=\"https:\/\/mitsp.org\/2020\/wp-content\/uploads\/2020\/02\/divider-especiais-200x5.jpg 200w, https:\/\/mitsp.org\/2020\/wp-content\/uploads\/2020\/02\/divider-especiais.jpg 300w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/h4>\n<p>&nbsp;<\/p>\n<div class=\"fusion-widget-area fusion-widget-area-1 fusion-content-widget-area\"><style type=\"text\/css\">.fusion-widget-area-1 {padding:0px 0px 0px 0px;}.fusion-widget-area-1 .widget h4 {color:#333333;}.fusion-widget-area-1 .widget .heading h4 {color:#333333;}.fusion-widget-area-1 .widget h4 {font-size:20px;}.fusion-widget-area-1 .widget .heading h4 {font-size:20px;}<\/style><div id=\"text-7\" class=\"widget widget_text\" style=\"border-style: solid;border-color:transparent;border-width:0px;\">\t\t\t<div class=\"textwidget\"><p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-parallax-fixed nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-image: url(&quot;https:\/\/mitsp.org\/2020\/wp-content\/uploads\/2020\/01\/footer-eixos4.png&quot;);background-position: center center;background-repeat: no-repeat;padding-top:130px;padding-right:30px;padding-bottom:130px;padding-left:30px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;background-attachment:fixed;\" ><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 hundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;border-bottom:12px solid #9e1f27;padding: 0px 0px 0px 0px;\"><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/p>\n<\/div>\n\t\t<\/div><div class=\"fusion-additional-widget-content\"><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Artistic Residence RHYTHMIC CRACKS WITH Emily Beaney and Lowri Evans Information on mitsp.org\u00a0\u00a0\u00a0\u00a0\u00a0 Inspired by [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":9102,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[155,152,141],"tags":[],"yst_prominent_words":[],"acf":{"synopsis":"","age_restriction":"0","duration":"","director":"","teaser_url":"","payment_type":"free","purchase_url":"","places":false,"activities":"","payment_info":"","live":false},"_links":{"self":[{"href":"https:\/\/mitsp.org\/2020\/wp-json\/wp\/v2\/posts\/9287"}],"collection":[{"href":"https:\/\/mitsp.org\/2020\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mitsp.org\/2020\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mitsp.org\/2020\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/mitsp.org\/2020\/wp-json\/wp\/v2\/comments?post=9287"}],"version-history":[{"count":0,"href":"https:\/\/mitsp.org\/2020\/wp-json\/wp\/v2\/posts\/9287\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mitsp.org\/2020\/wp-json\/wp\/v2\/media\/9102"}],"wp:attachment":[{"href":"https:\/\/mitsp.org\/2020\/wp-json\/wp\/v2\/media?parent=9287"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mitsp.org\/2020\/wp-json\/wp\/v2\/categories?post=9287"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mitsp.org\/2020\/wp-json\/wp\/v2\/tags?post=9287"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/mitsp.org\/2020\/wp-json\/wp\/v2\/yst_prominent_words?post=9287"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}