{"id":4479,"date":"2019-03-15T15:48:59","date_gmt":"2019-03-15T18:48:59","guid":{"rendered":"https:\/\/mitsp.org\/2019\/?p=4479"},"modified":"2019-03-15T15:51:38","modified_gmt":"2019-03-15T18:51:38","slug":"projeto-especial","status":"publish","type":"post","link":"https:\/\/mitsp.org\/2019\/projeto-especial\/","title":{"rendered":"PROJETO ESPECIAL"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"margin-top:-30px;margin-bottom:-30px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-1\"><h2>PROJETO ESPECIAL<\/h2>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;background-color:#a6b541;padding: 0px 0px 0px 1%;\"><div class=\"fusion-text fusion-text-2\"><h3><span style=\"color: #ffffff;\">NOVA DRAMATURGIA FRANCESA E BRASILEIRA<\/span><\/h3>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_3 1_3 fusion-one-third fusion-column-first\" style=\"width:33.333333333333%;width:calc(33.333333333333% - ( ( 4% ) * 0.33333333333333 ) );margin-right: 4%;margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_2_3 2_3 fusion-two-third fusion-column-last\" style=\"width:66.666666666667%;width:calc(66.666666666667% - ( ( 4% ) * 0.66666666666667 ) );margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-3\"><p>O N\u00facleo dos Festivais Internacionais de Artes C\u00eanicas do Brasil, La Com\u00e9die de Saint-\u00c9tienne, Instituto Franc\u00eas e Embaixada da Fran\u00e7a no Brasil lan\u00e7am o projeto \u201cNova Dramaturgia Francesa e Brasileira\u201d.<\/p>\n<p>O projeto bilateral prev\u00ea duas etapas: na primeira, em 2019, oito textos de autores franceses contempor\u00e2neos ser\u00e3o traduzidos por diretores-autores brasileiros. As obras ser\u00e3o publicadas pela Editora Cobog\u00f3 e encenadas nos festivais que comp\u00f5em o N\u00facleo. Em 2020, os autores brasileiros ter\u00e3o<br \/>\nseus trabalhos traduzidos e publicados na Fran\u00e7a e encenados no Th\u00e9\u00e2tre National de La Colline em Paris, no Festival Actoral em Marselha e na Com\u00e9die de Saint-\u00c9tienne.<\/p>\n<p>Na sexta edi\u00e7\u00e3o da MITsp ser\u00e1 lan\u00e7ado o projeto com a publica\u00e7\u00e3o e leitura dram\u00e1tica da obra \u00c9 a vida\/ C\u2019est la vie, do dramaturgo Franc\u00eas Mohamed El Khatib, traduzida pelo artista Gabriel F., de Bras\u00edlia. Participa da resid\u00eancia art\u00edstica e apresenta\u00e7\u00e3o da leitura dramatizada os atores Marat Descartes (Tablado de Arruar) e Isabel Teixeira (Cia V\u00e9rtice de Teatro).<\/p>\n<p>Ainda integram o projeto os artistas brasileiros: Alexandre Dal Farra, que traduz J\u2019ai pris mon p\u00e8re sur mes \u00e9paules, de Fabrice Melquiot; Grace Pass\u00f4, que traduz Poings, de Pauline Peyrade; a Jezebel de Carli cabe La br\u00fblure, de Hubert Colas; M\u00e1rcio Abreu se debru\u00e7a sobre Pulv\u00e9ris\u00e9s, de Alexandra Badea; Pedro Kosovski faz a tradu\u00e7\u00e3o de J\u2019ai bien fait?, de Pauline Sales; Quit\u00e9ria Kelly e Henrique Fontes trabalham com O\u00f9 et quand nous sommes morts, de Riad Ghami; e finalmente, Silvero Pereira traduz Des hommes qui tombent, de Marion Aubert.<\/p>\n<p>Em 2020, as plateias francesas conhecer\u00e3o Amores surdos, de Grace Pass\u00f4; Jacy de Henrique Fontes, Pablo Capistrano e Iracema Macedo; Caranguejo overdrive, de Pedro Kosovski; Mar\u00e9 e, tamb\u00e9m, Vida, de M\u00e1rcio Abreu; Mateus 10, de Alexandre Dal Farra; Br-Trans, de Silvero Pereira; Adapta\u00e7\u00e3o, de Gabriel F.; e Ramal 340, de Jezebel De Carli, que ser\u00e3o dirigidos pelos artistas franceses.<\/p>\n<p>O projeto de Internacionaliza\u00e7\u00e3o da Dramaturgia d\u00e1 continuidade \u00e0 iniciativa do N\u00facleo de criar projetos de interc\u00e2mbio e internacionaliza\u00e7\u00e3o. Em 2015, criado pelo TEMPO_FESTIVAL com a colabora\u00e7\u00e3o do N\u00facleo de Festivais Internacionais de Artes C\u00eanicas do Brasil, o projeto Cole\u00e7\u00e3o Dramaturgia Espanhola, parceria com a Editora Cobog\u00f3, divulgou a dramaturgia contempor\u00e2nea do pa\u00eds e gerou desdobramentos: tr\u00eas montagens teatrais, a produ\u00e7\u00e3o de um longa metragem premiado no Brasil e no exterior, al\u00e9m da indica\u00e7\u00e3o na Categoria Especial do 5\u00ba Pr\u00eamio Quest\u00e3o de Cr\u00edtica, 2016.<\/p>\n<p>Consciente do potencial de articula\u00e7\u00e3o internacional deste tipo de projeto o N\u00facleo muitas vezes cumpre um papel de \u201cembaixador\u201d da cultura. A\u00e7\u00f5es desta natureza tamb\u00e9m s\u00e3o um espa\u00e7o de desenvolvimento socioecon\u00f4mico das artes da cena e contribuem para o crescimento do pa\u00eds atrav\u00e9s de processos de internacionaliza\u00e7\u00e3o.<\/p>\n<p>Nesta perspectiva, o N\u00facleo dos Festivais Internacionais de Artes C\u00eanicas do Brasil d\u00e1 continuidade na efetiva\u00e7\u00e3o da exporta\u00e7\u00e3o das Artes C\u00eanicas por meio do projeto de Internacionaliza\u00e7\u00e3o da Dramaturgia.\u00a0Para os pr\u00f3ximos anos, est\u00e3o previstas a\u00e7\u00f5es com obras da Holanda e Argentina.<\/p>\n<p><strong>N\u00daCLEO DOS FESTIVAIS INTERNACIONAIS<\/strong><br \/>\n<strong>DE ARTES C\u00caNICAS DO BRASIL<\/strong><br \/>\n<strong>CENA CONTEMPOR\u00c2NEA \u2013 FESTIVAL INTERNACIONAL DE TEATRO DE BRAS\u00cdLIA<\/strong><br \/>\n<strong>FESTIVAL INTERNACIONAL DE ARTES C\u00caNICAS DA BAHIA \u2013 FIAC BAHIA<\/strong><br \/>\n<strong>FESTIVAL INTERNACIONAL DE LONDRINA \u2013 FILO<\/strong><br \/>\n<strong>FESTIVAL INTERNACIONAL DE TEATRO DE S\u00c3O JOS\u00c9 DO RIO PRETO \u2013 FIT RIO PRETO<\/strong><br \/>\n<strong>MOSTRA INTERNACIONAL DE TEATRO DE S\u00c3O PAULO \u2013 MITsp<\/strong><br \/>\n<strong>PORTO ALEGRE EM CENA \u2013 FESTIVAL INTERNACIONAL DE ARTES C\u00caNICAS<\/strong><br \/>\n<strong>RESIDE-FIT\/PE \u2013 FESTIVAL INTERNACIONAL DE TEATRO DE PERNAMBUCO<\/strong><br \/>\n<strong>TEMPO_FESTIVAL \u2013 FESTIVAL INTERNACIONAL DE ARTES C\u00caNICAS DO RIO DE JANEIRO<\/strong><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-4 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;background-color:#a6b541;padding: 0px 0px 0px 1%;\"><div class=\"fusion-text fusion-text-4\"><h3><span style=\"color: #ffffff;\">PROGRAMA\u00c7\u00c3O<\/span><\/h3>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-5 fusion_builder_column_1_3 1_3 fusion-one-third fusion-column-first\" style=\"width:33.333333333333%;width:calc(33.333333333333% - ( ( 4% ) * 0.33333333333333 ) );margin-right: 4%;margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-5\"><div id=\"attachment_4232\" style=\"width: 510px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-4232\" class=\"wp-image-4232 size-full\" src=\"https:\/\/mitsp.org\/2019\/wp-content\/uploads\/2019\/03\/MIT_site_projeto-especial_final.jpg\" alt=\"\" width=\"500\" height=\"500\" srcset=\"https:\/\/mitsp.org\/2019\/wp-content\/uploads\/2019\/03\/MIT_site_projeto-especial_final-66x66.jpg 66w, https:\/\/mitsp.org\/2019\/wp-content\/uploads\/2019\/03\/MIT_site_projeto-especial_final-150x150.jpg 150w, https:\/\/mitsp.org\/2019\/wp-content\/uploads\/2019\/03\/MIT_site_projeto-especial_final-200x200.jpg 200w, https:\/\/mitsp.org\/2019\/wp-content\/uploads\/2019\/03\/MIT_site_projeto-especial_final-300x300.jpg 300w, https:\/\/mitsp.org\/2019\/wp-content\/uploads\/2019\/03\/MIT_site_projeto-especial_final-400x400.jpg 400w, https:\/\/mitsp.org\/2019\/wp-content\/uploads\/2019\/03\/MIT_site_projeto-especial_final.jpg 500w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><p id=\"caption-attachment-4232\" class=\"wp-caption-text\">Mohamed El Khatib<\/p><\/div>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-6 fusion_builder_column_2_3 2_3 fusion-two-third fusion-column-last\" style=\"width:66.666666666667%;width:calc(66.666666666667% - ( ( 4% ) * 0.66666666666667 ) );margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-6\"><h3><strong><span style=\"color: #a6b541;\">LEITURA DRAM\u00c1TICA<\/span><\/strong><\/h3>\n<p>+ ENCONTRO COM O DRAMATURGO<br \/>\n+ LAN\u00c7AMENTO EDITORA COBOG\u00d3<\/p>\n<h4><strong>22 de mar\u00e7o, sexta-feira<\/strong><br \/>\n<strong>das 9h30 \u00e0s 12h30 <a href=\"https:\/\/mitsp.org\/2019\/acervo-de-transmissoes\/\"><img class=\"alignnone size-full wp-image-4374\" src=\"https:\/\/mitsp.org\/2019\/wp-content\/uploads\/2019\/03\/bt-ao-vivo.bk_.png\" alt=\"\" width=\"85\" height=\"18\" \/><\/a><\/strong><br \/>\n<strong>Ita\u00fa Cultural<\/strong><\/h4>\n<p>TEXTO <em>\u00c9 A Vida (C\u00b4est La Vie)<br \/>\n<\/em>De Mohamed El Khatib, com tradu\u00e7\u00e3o e dire\u00e7\u00e3o de Gabriel F. ATORES Marat Descartes (Tablado de Arruar) e Isabel Teixeira (Cia. V\u00e9rtice de Teatro)<\/p>\n<h6>ESTA A\u00c7\u00c3O CONTA COM A PARCERIA DO N\u00daCLEO DOS FESTIVAIS INTERNACIONAIS DE ARTES C\u00caNICAS DO BRASIL\/ LA COM\u00c9DIE DE SAINT-\u00c9TIENNE \u2013 CENTRE DRAMATIQUE NATIONAL \/ EMBAIXADA DA FRAN\u00c7A NO BRASIL\/ INSTITUT FRAN\u00c7AIS + VILLE DE SAINT \u00c9TIENNE \/EDITORA COBOG\u00d3<\/h6>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":4232,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"yst_prominent_words":[],"acf":[],"_links":{"self":[{"href":"https:\/\/mitsp.org\/2019\/wp-json\/wp\/v2\/posts\/4479"}],"collection":[{"href":"https:\/\/mitsp.org\/2019\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mitsp.org\/2019\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mitsp.org\/2019\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mitsp.org\/2019\/wp-json\/wp\/v2\/comments?post=4479"}],"version-history":[{"count":0,"href":"https:\/\/mitsp.org\/2019\/wp-json\/wp\/v2\/posts\/4479\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mitsp.org\/2019\/wp-json\/wp\/v2\/media\/4232"}],"wp:attachment":[{"href":"https:\/\/mitsp.org\/2019\/wp-json\/wp\/v2\/media?parent=4479"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mitsp.org\/2019\/wp-json\/wp\/v2\/categories?post=4479"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mitsp.org\/2019\/wp-json\/wp\/v2\/tags?post=4479"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/mitsp.org\/2019\/wp-json\/wp\/v2\/yst_prominent_words?post=4479"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}