{"id":3771,"date":"2019-02-26T11:38:04","date_gmt":"2019-02-26T14:38:04","guid":{"rendered":"https:\/\/mitsp.org\/2019\/?p=3771"},"modified":"2019-03-17T18:00:32","modified_gmt":"2019-03-17T21:00:32","slug":"dramaturgias-do-movimento-percepcao-fisica-e-composicao-generativa-com-alejandro-ahmed-brasil","status":"publish","type":"post","link":"https:\/\/mitsp.org\/2019\/dramaturgias-do-movimento-percepcao-fisica-e-composicao-generativa-com-alejandro-ahmed-brasil\/","title":{"rendered":"Dramaturgias do Movimento: Percep\u00e7\u00e3o F\u00edsica e Composi\u00e7\u00e3o Generativa. Com Alejandro Ahmed (Brasil)"},"content":{"rendered":"<h6>Oficinas<\/h6>\n<h3>DRAMATURGIAS DO MOVIMENTO: PERCEP\u00c7\u00c3O F\u00cdSICA E COMPOSI\u00c7\u00c3O GENERATIVA<\/h3>\n<h4>COM ALEJANDRO AHMED (BRASIL)<\/h4>\n<p style=\"padding-left: 80px;\"><img class=\"size-400 wp-image-3773 alignright\" src=\"https:\/\/mitsp.org\/2019\/wp-content\/uploads\/2019\/02\/Alejandro-Ahmed-credito-Karin-Serafin-400x267.jpg\" alt=\"Alejandro Ahmed credito Karin Serafin\" width=\"400\" height=\"267\" srcset=\"https:\/\/mitsp.org\/2019\/wp-content\/uploads\/2019\/02\/Alejandro-Ahmed-credito-Karin-Serafin-200x133.jpg 200w, https:\/\/mitsp.org\/2019\/wp-content\/uploads\/2019\/02\/Alejandro-Ahmed-credito-Karin-Serafin-300x200.jpg 300w, https:\/\/mitsp.org\/2019\/wp-content\/uploads\/2019\/02\/Alejandro-Ahmed-credito-Karin-Serafin-400x267.jpg 400w, https:\/\/mitsp.org\/2019\/wp-content\/uploads\/2019\/02\/Alejandro-Ahmed-credito-Karin-Serafin-600x400.jpg 600w, https:\/\/mitsp.org\/2019\/wp-content\/uploads\/2019\/02\/Alejandro-Ahmed-credito-Karin-Serafin-768x512.jpg 768w, https:\/\/mitsp.org\/2019\/wp-content\/uploads\/2019\/02\/Alejandro-Ahmed-credito-Karin-Serafin-800x533.jpg 800w, https:\/\/mitsp.org\/2019\/wp-content\/uploads\/2019\/02\/Alejandro-Ahmed-credito-Karin-Serafin.jpg 900w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/>A oficina tem o intuito de instrumentalizar o corpo para processar informa\u00e7\u00f5es de maneira a torn\u00e1-lo mais apto a fazer um exerc\u00edcio cr\u00edtico constante do movimento, buscando um controle mais apurado das dramaturgias que este pode lhe propor. Transitando por t\u00e9cnicas que guiam os atuais interesses est\u00e9ticos do Grupo Cena 11, a atividade prop\u00f5e o exerc\u00edcio de estrat\u00e9gias coreogr\u00e1ficas que evidenciam a coautoria de cenas formuladas por meio de \u201cemerg\u00eancias composicionais\u201d. Na primeira parte da oficina, s\u00e3o explorados exerc\u00edcios que apresentam diferentes modos de lidar com o peso do pr\u00f3prio corpo enquanto mat\u00e9ria de produ\u00e7\u00e3o da movimenta\u00e7\u00e3o e que buscam aprimorar a consci\u00eancia de vetores gerados e percorridos pelo corpo durante cada a\u00e7\u00e3o. A segunda parte utiliza os mesmos par\u00e2metros, mas em a\u00e7\u00f5es coletivas, tomando como ponto de partida algumas cenas das \u00faltimas produ\u00e7\u00f5es da companhia.<\/p>\n<h5><img class=\"alignnone size-full wp-image-3209\" src=\"https:\/\/mitsp.org\/2019\/wp-content\/uploads\/2019\/02\/icon-acoes.jpg\" alt=\"\" width=\"100\" height=\"10\" \/><\/h5>\n<h5>QUANDO<\/h5>\n<p>21 de mar\u00e7o, quinta-feira, das 9h \u00e0s 13h<\/p>\n<h5>ONDE<\/h5>\n<p>Galeria Olido, Sala Caf\u00e9 (Avenida S\u00e3o Jo\u00e3o, 473 \u2013 Centro)<\/p>\n<h5>INSCRI\u00c7\u00c3O<\/h5>\n<p>De 26 de fevereiro a 15 de mar\u00e7o, \u00e0s 17h, ou at\u00e9 que se encerrem o n\u00famero de vagas.<br \/>\nCumprindo os pr\u00e9-requisitos para a inscri\u00e7\u00e3o, os candidatos j\u00e1 est\u00e3o selecionados<br \/>\nautomaticamente at\u00e9 que sejam preenchidas 30 vagas.<\/p>\n<h5>N\u00daMERO DE PARTICIPANTES<\/h5>\n<p>30<\/p>\n<h5>P\u00daBLICO-ALVO<\/h5>\n<p>Atrizes e atores, performers, estudantes de Artes C\u00eanicas e interessados em geral<\/p>\n<p>[\/fusion_text]<div class=\"fusion-button-wrapper\"><style>.fusion-body .fusion-button.button-1{border-color:#ffffff;border-radius:2px 2px 2px 2px;background:#ac4848;}.fusion-body .fusion-button.button-1 .fusion-button-text,.fusion-body .fusion-button.button-1 i,.fusion-body .fusion-button.button-1:hover .fusion-button-text,.fusion-body .fusion-button.button-1:hover i,.fusion-body .fusion-button.button-1:focus .fusion-button-text,.fusion-body .fusion-button.button-1:focus i,.fusion-body .fusion-button.button-1:active .fusion-button-text,.fusion-body .fusion-button.button-1:active i{color:#ffffff;}.fusion-body .fusion-button.button-1:hover,.fusion-body .fusion-button.button-1:active,.fusion-body .fusion-button.button-1:focus{border-color:#ffffff;background:#ac4848;}<\/style><a class=\"fusion-button button-flat button-xlarge button-custom button-1 fusion-button-default-span fusion-button-default-type\" target=\"_blank\" rel=\"noopener noreferrer\" href=\"Selecionados_DRAMATURGIAS\"><span class=\"fusion-button-text\">RESULTADO DA SELE\u00c7\u00c3O<\/span><\/a><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Oficinas DRAMATURGIAS DO MOVIMENTO: PERCEP\u00c7\u00c3O F\u00cdSICA E COMPOSI\u00c7\u00c3O GENERATIVA COM ALEJANDRO AHMED (BRASIL) A oficina [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3773,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5,48],"tags":[],"yst_prominent_words":[],"acf":[],"_links":{"self":[{"href":"https:\/\/mitsp.org\/2019\/wp-json\/wp\/v2\/posts\/3771"}],"collection":[{"href":"https:\/\/mitsp.org\/2019\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mitsp.org\/2019\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mitsp.org\/2019\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mitsp.org\/2019\/wp-json\/wp\/v2\/comments?post=3771"}],"version-history":[{"count":0,"href":"https:\/\/mitsp.org\/2019\/wp-json\/wp\/v2\/posts\/3771\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mitsp.org\/2019\/wp-json\/wp\/v2\/media\/3773"}],"wp:attachment":[{"href":"https:\/\/mitsp.org\/2019\/wp-json\/wp\/v2\/media?parent=3771"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mitsp.org\/2019\/wp-json\/wp\/v2\/categories?post=3771"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mitsp.org\/2019\/wp-json\/wp\/v2\/tags?post=3771"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/mitsp.org\/2019\/wp-json\/wp\/v2\/yst_prominent_words?post=3771"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}